正确答案: D

丁说的对

题目：四个人在议论一位作家的年龄。甲说："她不会超过35岁。"乙说："她不超过40岁。"丙说："她的岁数在50以下。"丁说："她绝对在40岁以上。"实际上只有一个人说对了。则下列说法中，正确的是( )。

解析：这是一道朴素推理的题目。若甲或乙所说为真，则丙所说也为真，与只有一个人说对了矛盾，因此说真话的一定不是甲、乙：若丙所说为真且根据甲和乙都不为真，则丁所说也为真，也与题干矛盾，则丙所说不可能为真，故丁所说为真。另解，乙和丁的话矛盾，必有一真一假，由"只有一个人说对"，则甲和丙的话为假，由丙的话为假可知她在50岁以上，故乙说的错丁说的对。故选择D项。

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学习资料的答案和解析：

[单选题]某校规定，平常学生携带手机进入教室，一旦发现，将立即没收并予以统一销毁。该规定侵犯的学生权利是( )。

财产权

解析：财产所有权，是指所有人依法对其财产享有占有、使用、收益、处分的权利。学生龄虽小，但任何人不得随意剥夺、侵犯其权利。题目中学校没收并销毁手机的做法侵犯了学生的财产权，故选择B。

[单选题]联欢晚会上，小李表演了一段越剧，老张夸奖道："小李越剧表演得那么好，他一定是南方人。"以下哪项是老张的话不包含的意思( )。

只有越剧唱得好，才是南方人

解析：老张的话中隐含了前提即"如果越剧表演得好，那一定是南方人"，这是一个假言命题，否定后件可以否定前件，A项正确；B项前提的逆命题，错误；C项肯定前件则肯定后件，正确；D项可转化为"如果越剧唱得那么好，那么小李是南方人"。故选择B项。

[单选题]最早提出遗忘曲线及其规律的心理学家是( )。

艾宾浩斯

解析：艾宾浩斯最早提出了遗忘曲线，得出遗忘是先快后慢的规律。故选择B。A选项，巴甫洛夫是记忆痕迹衰退说也叫自动消退的代表人物，它主张遗忘是记忆痕迹得不到强化而逐渐衰退，以至最后消退的结果。启示是要经常复习，不断强化，使记忆痕迹不至于消退。C选项，斯金纳，新行为主义心理学家，提出操作性条件反射，系统论述了强化理论，提出了程序教学法。D选项，冯特，1879年在德国莱比锡大学建立世界上第一个心理学实验室，标志着科学心理学的诞生，也标志着心理学从哲学中分离出来，作为一门独立的科学正式诞生。冯特因此被称为"心理学之父"。冯特所著的《生理心理学原理》-书也被心理学界认为是"心理学的独立宣言"。

[多选题]什么是情绪？它有哪些功能？

[单选题]按照科尔伯格的理论，以人际关系和谐或"好孩子"为定向的道德发展阶段处于( )。

习俗水平

解析：习俗水平包含两个阶段：一是寻求认可定向阶段，也称"好孩子"定向阶段：二是遵守法规和秩序定向阶段。

[单选题]Passage 1 　　With her magical first novel, Garcia joins a growing chorus of talented Latino writers whose voices are suddenly reaching a far wider, more diverse audience. Unlike Latin American writers such as Colombia's Gabriel Garcia Marquee of Peru's Mario Vargas Llosa-whose translated works became popular here in the 1970s-these authors are writing in English and drawing their themes from two cultures. Their stories, from "Dreaming in Cuban" to Julia Alvarez's "How the Garcia Girls Lost Their Accent" and Victor Villasenor's "Rain of Gold", offer insight into the mixture of economic opportunity and discrimination that Latinos encounter in the United States. "Garia Girls" for example, is the story of four sisters weathering their transition from wealthy Dominicans to ragtag immigrants, "We didn't feel we had the beat the United States had to offer:' one of the girls says, "We had only second-hand staff, rental houses in one redneck Catholic neighborhood after another, clothes at Round Robin, a black and white TV afflicted with wavy lines. " Alvarez, a Middlebury College professor who emigrated from Santo Domingo when she was 10, says being an immigrant has given her a special vantage point: "We travel on that border between two worlds and we can see both points of view. " 　　With few exceptions, such as Chicano writer Rudolfo Anaya, many Hispanic-Americans have been writing in virtual obscurity for years, nurtured only by small presses like Houston's Arte Pubilco or the Bilingual Press in Tempe, Ariz. Only with the recent success of Sandra Cisneros's "Woman Hollering Ceek" and Oscar Hijuelos's prize-winning novel, "The Mambo Kings Play Songs of Love," have mainstream publishers begun opening door to other Latinos. Julie Grau, Cisneros's editor at Turtle Bay, says, "Editors may now be looking more carefully at a book that before they would have deemed too exotic for the general readership. 　　But if Villasenor's experience is any indication, some editors are still wary. In 1989, Putnam gave Villasenor a $75,000 advance for the hardcover rights to "Rain of Gold:' the compelling saga of his family's migration from Mexico to California. But the editors, says Villasenor, wanted major changes: "They were going to destroy the book. lt's nonfiction; they wanted to publish it as a novel. And they wanted to change the title to 'Rio Grande', which sounded like some old John Wayne movie. " After a year of strained relations, he mortgaged his house, borrowed his mother's life savings and bought back the rights to the book that had taken 10 years to write. 　　In frustration, Villasenor turned to Arte Publico. In the eight months since its release, "Rain of Gold" has done extremely well, considering its limited distribution; 20,000 copies have been sold. "If we were a mainstream publisher, this book would have been on The New York Times best-seller list for weeks:' says Arte Pulico's Nicolas Kanelos. The author may still have a shot: he has sold the paperback rights to Dell. And he was just named a keynote speaker (with Molly lvins and Norman Schwarzkopf for the American Booksellers Association convention in May. Long before they gained this sort of attention, however, Villasenor, Cisneros and other Latino writers were quietly building devoted followings. Crossing the country, they read in local bookstores, libraries and schools. Their stories, they found, appeal not only to Latinos-who identify with them, but to a surprising number of Anglos, who find in them a refreshingly different perspective on American life. Still, there are unusual pressures on these writers. Cisneros vividly recalls the angst she went through in writing the final short stories for "Woman Hollering": "I was traumatized that it was going to be one of the first Chicano books 'out there. ' I felt I had this responsibility to my community to represent us in all our diversity. "

What advantage do the new generation latino writers have over Latin American writers according to the passage?

The former are able to express ideas from a bi-cultural perspective

解析：根据第一段第二句“Unlike Latin American writers. these authors arewritingin English and drawing their themes from two cultures.”及最后F".being an immigrant has given her a special vantage point: 'Wetravel on that borde between two worlds and we can see bothpoints of view.”可知C项正确，故选择C。