正确答案: A

"剪贴画"

题目：在Word中，利用( )工具可以插入系统自带的图片。

解析：剪切画是系统自带的图片，其它选项都不属于图片，故选择A。

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学习资料的答案和解析：

[单选题]一个学生写了一首诗，被教师说成是"癞蛤蟆想吃天鹅肉"。一个成绩较差的学生张某次考试得了97分，却被教师和家长说成是"瞎猫碰到了死耗子"。老师的做法忽视了( )。

学生是处于发展过程中的人

解析：以人为本的学生观强调，学生是发展的人，具有巨大的发展潜能。老师做法侵犯了学生的尊严，面对学生的进步不仅不表扬，反而打击学生的信心，这是由于老师没有用发展的眼光看待学生，没有认识到学生都是发展中的人。故选择B项。

[单选题]下列选项中属于孔子教育主张的是( )。

学而不思则罔，思而不学则殆

解析：孔子主张学、思、行相结合，提出"学而不思则罔，思而不学则殆"的思想。A选项是荀子的思想：B选项是《中庸》中的思想；C选项是王夫之的思想。

[单选题]能够觉察出两个刺激事物之间最小差异的能力叫做感觉的( )。

差别感受性

解析：差别感受性：在感觉上，能察觉出两个同类刺激物之间的最小差别量的能力，叫差别感受性。故选择D。A选项，绝对感受性：感觉出最小刺激量的能力。B选项，差别感觉阈限：也叫差别阈限，又称最小可觉差，是指刚刚能引起差别感觉的刺激的最小变化量。是将一个刺激与另一个刺激区别开来的最小差别量。C选项，绝对感觉阈限：刚刚能引起感觉的最小刺激量。

[单选题]某学生由于进步明显，老师取消了对他的处分，这种强化方式是( )。

负强化

解析：负强化是减少厌恶刺激使行为反应增加。老师取消处分这种厌恶刺激，使学生以后进步行为增加。

[单选题]根据埃里克森的理论，中学生人格发展的主要任务是( )。

培养自我同一性

解析：根据埃里克森的理论，中学生人格发展的主要任务是培养自我同一性，避免角色混乱的冲突。故选择D。A项，儿童早期（18个月到3岁）的主要任务是培养自主性，克服羞怯与怀疑。B项，学龄期(6、7～12岁)的主要任务是培养勤奋感，克服自卑感。C选项，青年期（12-18岁）的主要任务是建立同一性，防止角色混乱。

[单选题]爱国主义的情感属于( )。

伦理的

解析：伦理的道德情感即以清楚地意识到道德概念、原理和原则为中介的情感体验。例如，爱国主义情感和集体主义情感就属于伦理的道德情感。故选择C。

[单选题]学校在抗战纪念日组织学生开展参观历史博物馆，走访抗日老战士等活动，这些活动体现的德育途径是( )。

课外与校外活动

解析：参观历史博物馆属于课外、校外活动。

[单选题]了解和研究学生的最主要方法是( )。

观察法

解析：了解和研究学生是班主任工作的前提和基础，而观察法是班主任了解学生最基本的方法，故选择D。A选项，分析学生档案不能准确方便的了解和研究学生，故排除A选项。B选项，家访是一种间接了解学生的方法。班主任可以通过家访、走访学生前任班主任或任课教师等，了解学生个体或群体的成长经历，深入了解有关背景原因。故排除B选项。C选项，讨论法是学生在教师指导下为解决某个问题进行探讨、辩论，从而获取知识的一种方法。这不是了解和研究学生的方法，故排除C选项。

[单选题]Passage 1 　　With her magical first novel, Garcia joins a growing chorus of talented Latino writers whose voices are suddenly reaching a far wider, more diverse audience. Unlike Latin American writers such as Colombia's Gabriel Garcia Marquee of Peru's Mario Vargas Llosa-whose translated works became popular here in the 1970s-these authors are writing in English and drawing their themes from two cultures. Their stories, from "Dreaming in Cuban" to Julia Alvarez's "How the Garcia Girls Lost Their Accent" and Victor Villasenor's "Rain of Gold", offer insight into the mixture of economic opportunity and discrimination that Latinos encounter in the United States. "Garia Girls" for example, is the story of four sisters weathering their transition from wealthy Dominicans to ragtag immigrants, "We didn't feel we had the beat the United States had to offer:' one of the girls says, "We had only second-hand staff, rental houses in one redneck Catholic neighborhood after another, clothes at Round Robin, a black and white TV afflicted with wavy lines. " Alvarez, a Middlebury College professor who emigrated from Santo Domingo when she was 10, says being an immigrant has given her a special vantage point: "We travel on that border between two worlds and we can see both points of view. " 　　With few exceptions, such as Chicano writer Rudolfo Anaya, many Hispanic-Americans have been writing in virtual obscurity for years, nurtured only by small presses like Houston's Arte Pubilco or the Bilingual Press in Tempe, Ariz. Only with the recent success of Sandra Cisneros's "Woman Hollering Ceek" and Oscar Hijuelos's prize-winning novel, "The Mambo Kings Play Songs of Love," have mainstream publishers begun opening door to other Latinos. Julie Grau, Cisneros's editor at Turtle Bay, says, "Editors may now be looking more carefully at a book that before they would have deemed too exotic for the general readership. 　　But if Villasenor's experience is any indication, some editors are still wary. In 1989, Putnam gave Villasenor a $75,000 advance for the hardcover rights to "Rain of Gold:' the compelling saga of his family's migration from Mexico to California. But the editors, says Villasenor, wanted major changes: "They were going to destroy the book. lt's nonfiction; they wanted to publish it as a novel. And they wanted to change the title to 'Rio Grande', which sounded like some old John Wayne movie. " After a year of strained relations, he mortgaged his house, borrowed his mother's life savings and bought back the rights to the book that had taken 10 years to write. 　　In frustration, Villasenor turned to Arte Publico. In the eight months since its release, "Rain of Gold" has done extremely well, considering its limited distribution; 20,000 copies have been sold. "If we were a mainstream publisher, this book would have been on The New York Times best-seller list for weeks:' says Arte Pulico's Nicolas Kanelos. The author may still have a shot: he has sold the paperback rights to Dell. And he was just named a keynote speaker (with Molly lvins and Norman Schwarzkopf for the American Booksellers Association convention in May. Long before they gained this sort of attention, however, Villasenor, Cisneros and other Latino writers were quietly building devoted followings. Crossing the country, they read in local bookstores, libraries and schools. Their stories, they found, appeal not only to Latinos-who identify with them, but to a surprising number of Anglos, who find in them a refreshingly different perspective on American life. Still, there are unusual pressures on these writers. Cisneros vividly recalls the angst she went through in writing the final short stories for "Woman Hollering": "I was traumatized that it was going to be one of the first Chicano books 'out there. ' I felt I had this responsibility to my community to represent us in all our diversity. "

Which of the following is true of Garcia as a Latino writer according to the passage?

She offered insight into the confrontations between two cultures

解析：本题考查细节定位到第一段。根据第二句，Unlike Latin American writers such as Colombia's… popular here in the 1970s-these authors are writing in English and drawing their themes from two cultures.可知A选项符合题意。综上，A选项正确。B选项，不符合第一段最后一句，Alvarez,a Middlebury College professor who emigrated from Santo Domingo when she was 10, says being an immigrant has given her a special vantage point: "We travel on that border between two worlds and we can see both points of view."。C选项，不符合第一段第二句内容。D选项，不符合“Garia Girls”for example, is the story of four sisters weathering their transition from wealthy Dominicans to ragtag immigrants”原文。故选择A。