正确答案: A

曹操

题目:被鲁迅称为"改造文章的祖师"的是( )。

解析:建安诗歌的主要代表是曹氏父子,即曹操及其子曹丕、曹植。其中曹操代表作有《龟虽寿》《蒿里行》被鲁迅称为"改造文章的祖师"。故选择A。曹操有关的作品名句:《龟虽寿》("老骥伏枥,志在千里。烈士暮年,壮心不已")、《蒿里行》("白骨露于野")、《短歌行》("对酒当歌,人生几何")、《观沧海》、("日月之行,若出其中;星汉灿烂,若出其里")《求贤令》("唯才是举,吾得而用之")等。B选项,曹植代表作:曹植被誉为"建安之杰",所作辞赋以《洛神赋》("凌波微步""婉若游龙")最为著名。曹植的其它作品:《白马篇》、《七哀诗》等。C选项,陶渊明是我国第一位以田园作为主要描写内容的诗人,他的诗被后人称为田园诗。他曾不愿"为五斗米折腰"而弃官归隐。代表作:《归园田居》("久在樊笼里,复得返自然")、《饮酒》、《桃花源记》、《闲情赋》《归去来兮辞》("富贵非吾愿,帝乡不可期")。D选项,王羲之,东晋著名书法家,其《兰亭序》被誉为"天下第一行书"。

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  • [单选题]作为人的身心发展的生理前提,为人的身心发展提供了可能性的因素是( )。
  • 遗传

  • 解析:此题考查学生身心发展的影响因素。影响个体身心发展的因素有:遗传、环境、学校教育和个体能动性。在影响学生身心发展的因素中,遗传素质是人的身心发展的前提,为个体的身心发展提供了可能性。故选择A。B项,环境是人的身心发展的外部的客观条件,环境使遗传提供的发展可能性变成现实。C项,学校教育在人的发展中起主导作用;个体的主观能动性是人的身心发展的动力,是促进个体发展的决定性因素。D项,个体主观能动性,即个体的主观意识对客观世界的作用和能动反映。学习的需要和动机,即学生个性倾向,是主观能动性在心理学中的体现。

  • [单选题]Having lived in China for a long time,John could fully understand the cultural shocks experienced by his Chinese students.Which of the following traits does John have in this instance?
  • Empathy.

  • 解析:本题考查跨文化交际。题干:在中国居住很长时间后,约翰完全能理解他的中国学生经历的文化冲击。在这个事例中约翰有以下哪一种特质?A项“规避”,B项“共情,共鸣”,C项“外向型”,D项“内向型”。共情又称同理心、同感等,它是指教师要借助知识、经验、技巧和学生的言行,深入学生内心去体验他的情感、思维,去真正地理解学生。约翰在中国居住很长时间之后,能完全理解中国学生经历的文化冲击,体现出约翰对中国学生产生了共情。故本题选B。

  • [单选题]22.请阅读Passage 2,完成1~5小题。   Passage 2   The subject of ballads,books and films,Robin Hood has proven to be one of popular culture'smost enduring folk heroes.Over the course of 700 years,the outlaw from Nottinghamshire who robsthe rich to give to the poor has emerged as one of the most enduring folk heroes in popular culture-and one of the most versatile.But how has the legend of Sherwood Forest's merry outlaws evolvedover time? Did a real Robin Hood inspire these classic tales?   Beginning in the 15th century and perhaps even earlier,Christian revelers in certain partsof England celebrated May Day with plays and games involving a Robin Hood fgure with near-religious significance.In the 19th century,writer-illustrators like Howard Pyle adapted thetraditional tales for children,popularizing them in the United States and around the worlD.Morerecently,bringing Robin to the silver screen has become “a rite of passage” for directors ranging fromMichael Curtiz and Ridley Scott to Terry Gilliam and Mel Brooks.   Throughout Robin's existence,writers,performers and filmmakers have probed theirimaginations for new incarnations that resonate with their respective audiences.In 14th-century England,where agrarian discontent had begun to chip away at the feudal system,he appears as an anti-establishment rebel who murders government agents and wealthy landowners.later variationsfrom times ofless social upheaval dispense with the gore and cast Robin as a dispossessed aristocratwith a heart of gold and a love interest,Maid Marian.   Academics,meanwhile,have combed the historical record for evidence of a real Robin Hood.English legal records suggest that,as early as the 13th century,“Robehod,” “Rabunhod” and othervariations had become common epithets for criminals.But what had inspired these nicknames:afictional tale,an infamous bandit or an amalgam ofboth? The first literary references to Robin Hoodappear in a series of 14th- and 15th-century ballads about a violent yeoman who lived in SherwoodForest with his men and frequently clashed with the Sheriff of Nottingham.Rather than a peasant,knight or fallen noble,as in later versions,the protagonist of these medieval stories is a commoner.little John and Will Scarlet are part of this Robin's “merry” crew—eaning,at the time,anoutlaw's gang—but Maid Marian,Friar Tuck and Alan-a-Dale would not enter the legend until later,possibly as part of the May Day rituals.   While most contemporary scholars have failed to turn up solid clues,medieval chroniclers tookfor granted that a historical Robin Hood lived and breathed during the 12th or 13th century.Thedetails of their accounts vary widely,however,placing him in conflicting regions and eras.Not untilJohn Major's History of Greater Britain (1521),for example,is he depicted as a follower of KingRichard,one of his defining characteristics in modern times.   We may never know for sure whether Robin Hood ever existed outside the verses of balladsand pages of books.And even if we did,fans,young and old,would still surely fiock to England'sNottinghamshire region for a tour of the legend's alleged former hangouts,from centuries-old pubsto the Major oak in Sherwood Forest.What we do know is that the notion of a brave rebel wholives on the outskirts of society,fighting injustice and oppression with his band of companions,has universal appeal-whether he's played by Erroll Flynn,Russell Crowe or even,as on a 1979 episode of The Muppet Show,Kermit the Frog.
  • Which of the following is a proper title for the passage?

  • The Figurative Robin Hood

  • 解析:主旨题。根据最后一段第一句“We may never know for sure whether Robin Hood ever existed outside the verses of ballads and pages ofbooks.”可知,我们不能确定Robin Hood是否真的存在过,故A、B、D三项均不合适。C项的意思是“具有象征意义的Robin Hood”,此标题与文章内容最贴近。

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