正确答案: A

王昌龄善写七言绝句,被誉为"七绝圣手"

题目:下列说法正确的是( )。

解析:王昌龄,盛唐著名边塞诗人,后人誉为"七绝圣手"。故选择A。王昌龄代表作品:《出塞》("但使龙城飞将在,不教胡马度阴山")、《从军行》("黄沙百战穿金甲,不破楼兰终不还")、《芙蓉楼送辛渐》("洛阳亲友如相问,一片冰心在玉壶")。B选项,被誉为"诗骨"的是陈子昂。故B错误。王勃,与杨炯、卢照邻、骆宾王并称为"初唐四杰",王勃为四杰之首。主要作品:《滕王阁序》("落霞与孤鹜齐飞,秋水共长天一色")、《送杜少府之任蜀州》("海内存知己,天涯若比邻")。陈子昂,唐代诗人。诗词风格高俊,有汉魏风骨,被誉为"诗骨"。代表作品:《登幽州台歌》("前不见古人,后不见来者。念天地之悠悠,独怆然而涕下")等。故B错误。C选项,被誉为"诗狂"的是贺知章。故C错误。贾岛,唐代诗人,贾岛做诗发牢骚,被韩愈发现才华,并成为"苦吟诗人"。著名的典故"推敲"即出自此人。主要作品:《剑客》("十年磨一剑,霜刃未曾试")、《题李凝幽居》("鸟宿池边树,僧敲月下门"推敲的典故便出于此)。贺知章,唐代著名诗人,为人旷达不羁,人称"诗狂"。草书与张旭、怀素并称"唐草三杰"。主要作品:《回乡偶书》("儿童相见不相识,笑问客从何处来")、《咏柳》("二月春风似剪刀")。D选项,被誉为"诗鬼"的是李贺。故D错误。刘禹锡,唐代诗人,有"诗豪"之称。主要作品:《乌衣巷》("1日时王谢堂前燕,飞入寻常百姓家")、《陋室铭》("山不在高,有仙则名。水不在深,有龙则灵""无丝竹之乱耳,无案牍之劳形")、《秋词》("自古逢秋悲寂寥,我言秋日胜春朝")等。李贺,唐代诗人,被誉为"诗鬼",与李白、李商隐三人并称唐代"三李"。代表作品:《李凭箜篌引》("吴质不眠倚桂树,露脚斜飞湿寒兔")、《雁门太守行》("黑云压城城欲摧,甲光向日金鳞开")、《致酒行》("雄鸡一声天下白")、《金铜仙人辞汉歌》("天若有情天亦老")等。补充知识:诗人称谓:诗仙-李白、诗圣-杜甫、诗骨-陈子昂、诗魔-白居易、诗佛-王维、诗豪-禹锡、诗鬼-李贺、诗杰-王勃、诗狂-贺知章。

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学习资料的答案和解析:

  • [单选题]花坛中种了牡丹,海棠,月季和芍药各一排花,已知,牡丹花在中间的两排中,芍药花和海棠花不相邻,海棠花不在第一排,下列关于四种花由前到后的排序正确的是( )。
  • 芍药、月季、牡丹、海棠

  • 解析:根据题干"牡丹花在中间的两排中",可以排除A项。根据"芍药花和海棠花不相邻",可以排除B项。根据"海棠花不在第一排",可以排除D项。故选择C项。

  • [单选题]传统教育走向现代教育,其重要标志是产生了( )。
  • 杜威的儿童中心思想

  • 解析:杜威顺应时代和工业发展的趋势,对传统教育的弊病进行了批判,主张教育的一切措施都应有利于儿童的成长,他所提倡的"现代教育三中心"标志着传统教育走向现代教育。

  • [单选题]"君子欲化民成俗,其必由学乎""古之王者,建国君民,教学为先"体现了( )的教育目的观。
  • 社会本位论

  • 解析:"君子欲化民成俗,其必由学乎"意思是君子如果要教化人民,形成良好的风俗习惯,一定要从教育人手。"古之王者,建国君民,教学为先"意为古代的君王建立国家,治理民众,都把教育当作首要的事情。这都体现了社会本位论的教育目的观。

  • [单选题]人知觉某一客观对象时,总是利用自己已有的知识经验来认识它,这是知觉的( )。
  • 理解性

  • 解析:题干表述的内容是知觉理解性的概念。

  • [单选题]所谓的及时复习一般是指( )。
  • 在学习结束立刻复习

  • 解析:复习要及时,也就是学习结束立刻复习。如果不及时复习,头脑中的保持量在短时间内急剧减少,再复习就要花费相对较多的时间。

  • [单选题]Passage 1   With her magical first novel, Garcia joins a growing chorus of talented Latino writers whose voices are suddenly reaching a far wider, more diverse audience. Unlike Latin American writers such as Colombia's Gabriel Garcia Marquee of Peru's Mario Vargas Llosa-whose translated works became popular here in the 1970s-these authors are writing in English and drawing their themes from two cultures. Their stories, from "Dreaming in Cuban" to Julia Alvarez's "How the Garcia Girls Lost Their Accent" and Victor Villasenor's "Rain of Gold", offer insight into the mixture of economic opportunity and discrimination that Latinos encounter in the United States. "Garia Girls" for example, is the story of four sisters weathering their transition from wealthy Dominicans to ragtag immigrants, "We didn't feel we had the beat the United States had to offer:' one of the girls says, "We had only second-hand staff, rental houses in one redneck Catholic neighborhood after another, clothes at Round Robin, a black and white TV afflicted with wavy lines. " Alvarez, a Middlebury College professor who emigrated from Santo Domingo when she was 10, says being an immigrant has given her a special vantage point: "We travel on that border between two worlds and we can see both points of view. "   With few exceptions, such as Chicano writer Rudolfo Anaya, many Hispanic-Americans have been writing in virtual obscurity for years, nurtured only by small presses like Houston's Arte Pubilco or the Bilingual Press in Tempe, Ariz. Only with the recent success of Sandra Cisneros's "Woman Hollering Ceek" and Oscar Hijuelos's prize-winning novel, "The Mambo Kings Play Songs of Love," have mainstream publishers begun opening door to other Latinos. Julie Grau, Cisneros's editor at Turtle Bay, says, "Editors may now be looking more carefully at a book that before they would have deemed too exotic for the general readership.   But if Villasenor's experience is any indication, some editors are still wary. In 1989, Putnam gave Villasenor a $75,000 advance for the hardcover rights to "Rain of Gold:' the compelling saga of his family's migration from Mexico to California. But the editors, says Villasenor, wanted major changes: "They were going to destroy the book. lt's nonfiction; they wanted to publish it as a novel. And they wanted to change the title to 'Rio Grande', which sounded like some old John Wayne movie. " After a year of strained relations, he mortgaged his house, borrowed his mother's life savings and bought back the rights to the book that had taken 10 years to write.   In frustration, Villasenor turned to Arte Publico. In the eight months since its release, "Rain of Gold" has done extremely well, considering its limited distribution; 20,000 copies have been sold. "If we were a mainstream publisher, this book would have been on The New York Times best-seller list for weeks:' says Arte Pulico's Nicolas Kanelos. The author may still have a shot: he has sold the paperback rights to Dell. And he was just named a keynote speaker (with Molly lvins and Norman Schwarzkopf for the American Booksellers Association convention in May. Long before they gained this sort of attention, however, Villasenor, Cisneros and other Latino writers were quietly building devoted followings. Crossing the country, they read in local bookstores, libraries and schools. Their stories, they found, appeal not only to Latinos-who identify with them, but to a surprising number of Anglos, who find in them a refreshingly different perspective on American life. Still, there are unusual pressures on these writers. Cisneros vividly recalls the angst she went through in writing the final short stories for "Woman Hollering": "I was traumatized that it was going to be one of the first Chicano books 'out there. ' I felt I had this responsibility to my community to represent us in all our diversity. "
  • What advantage do the new generation latino writers have over Latin American writers according to the passage?

  • The former are able to express ideas from a bi-cultural perspective

  • 解析:根据第一段第二句“Unlike Latin American writers. these authors arewritingin English and drawing their themes from two cultures.”及最后F".being an immigrant has given her a special vantage point: 'Wetravel on that borde between two worlds and we can see bothpoints of view.”可知C项正确,故选择C。

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