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学生小涛经常旷课,不遵守学校的管理制度,学校对小涛进行教育的

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  • 【名词&注释】

    正确认识(correct understanding)、爱岗敬业(cherishing the job devotionally)、中小学班主任、系统脱敏(systematic desensitization)、《国家中长期教育改革和发展规划纲要(2010-2020)》、弗洛伊德精神分析学、建设者和接班人(builders and successors)、社会主义事业建设者(builders of socialist cause)、提高民族素质(enhance national quality)、《中华人民共和国教师法》

  • [单选题]学生小涛经常旷课,不遵守学校的管理制度,学校对小涛进行教育的恰当方式是( )。

  • A. 了解情况后耐心教育他
    B. 将他交给家长批评教育
    C. 等待他自我醒悟并改正
    D. 批评教育无效果开除他

  • 查看答案&解析 查看所有试题
  • 学习资料:
  • [单选题]关于班主任的配备与选聘,下列说法不正确的是( )。
  • A. 每个班级配一名班主任
    B. 专职班主任制度
    C. 担任时间连续1年以上
    D. 爱岗敬业,具有较强的教育引导和组织管理能力

  • [单选题]《中华人民共和国教师法》规定:教师是履行教育教学职责的( ),承担教书育人,培养社会主义事业建设者(builders of socialist cause)和接班人(builders and successors)、提高民族素质(enhance national quality)的使命。
  • A. 技术人员
    B. 专业人员
    C. 专职人员
    D. 知识分子

  • [单选题]《国家中长期教育改革和发展规划纲要(2010-2020)》提出,对中小学教师实行( )。
  • A. 每七年一周期的全员培训
    B. 每三年一周期的全员培训
    C. 每两年一周期的全员培训
    D. 每五年一周期的全员培训

  • [单选题]在PowerPoint中,建一个演示文档的第一张幻灯片的默认版式是( )。
  • A. 项目清单
    B. 两栏文本
    C. 标题幻灯片
    D. 空白

  • [单选题]个体身心发展的互补性要求教育应该做到( )。'
  • A. 相互衔接
    B. 循序渐进
    C. 长善救失
    D. 教学相长

  • [单选题]下列方法,不属于行为矫正治疗的是( )。
  • A. 自由联想
    B. 系统脱敏
    C. 厌恶疗法
    D. 强化和惩罚

  • [多选题]班主任因担心安全问题而取消应该组织的班级活动是一种不负责任的表现。( )
  • A. ×

  • [单选题]Passage 1 In the field of psychology, there's long been a certain haziness surrounding the definition of creativity, an I-know-it-when-I-see it attitude that has eluded a precise formulation. During our conversation, Beeman told me that he used to be reluctant to tell people what his area of study was, for fear of being dismissed or misunderstood. What, for instance, crosses your mind when you think of creativity?Well, we know that someone is creative if he produces new things or has new ideas. A choreographer, an artist, a writer, a scientist, or a mathematician with a novel discovery -these are the creatives, the people who bring something new into the world. And yet, as John Kounios, a psychologist at Drexel University who collaborates frequently with Beeman, points out, that view is wrong, or at least not entirely right. "Creativity is the process, not the product:' he says. To illustrate, Beeman offers an example. Imagine someone who has never used or seen a paperclip and is struggling to keep a bunch of papers together. Then the person comes up with a new way of bending a stiff wire to hold the papers in place. "That was very creative:' Beeman says. On the flip side, if someone works in a new field-Beeman gives the example of nanotechnology-anything that he produces may be considered inherently "creative." But was the act of producing it actually creative? As Beeman puts it, "Not all artists are creative. And some accountants are very creative." Insight, however, has proved less difficult to define and to study. Because it arrives at a specific moment in time, you can isolate it,examine it, and analyze its characteristics."Insight is only one part of creativity:'Beeman says. "But we can measure it. We have a temporal marker that something just happened in the brain. l'd never say that's all of creativity, but it's a central, identifiable component." When scientists examine insight in the lab, they are looking at what types of attention and thought processes lead to that moment of synthesis. If you are trying to facilitate a breakthrough, are there methods you can use that help? If you feel stuck on a problem, are there tricks to get you through? In a recent study, Beeman and Kounios followed people's gazes as they attempted to solve what's called the remote-associates test, in which the subject is given a series of words, like "pine:' "crab:' and "sauce:' and has to think of a single word that can logically be paired with all of them. They wanted to see if the direction of a person's eyes and her rate of blinking could shed light on her approach and on her likelihood of success. It turned out that if the subject looked directly at a word and focussed on it-that is, blinked less frequently, signalling a higher degree of close attention-she was more likely to be thinking in an analytical, convergent fashion, going through possibilities that made sense and systematically discarding those that didn't. If she looked at "pine:' say, she might be thinking of words like "tree:' "cone:' and "needle:' then testing each option to see if it fit with the other words. When the subject stopped looking at any specific word, either by moving her eyes or by blinking, she was more likely to think of broader, more abstract associations. That is a more insight-oriented approach. "You need to learn not just to stare but to look outside your focus:' Beeman says.(The solution to this remote-associates test."apple.") As it turns out, by simply following someone's eyes and measuring her blinks and fixation times (how long she looks at something before either looking away or closing her eyes), Beeman's group can predict how someone will likely solve a problem and when she is nearing that solution. That's an important consideration for would-be creative minds. it helps us understand how distinct patterns of attention may contribute to certain kinds of insights.
  • Which of the following is closest in meaning to the underlined word "haziness" in PARAGRAPH ONE?

  • A. Arbitrariness
    B. Vagueness
    C. Misunderstanding
    D. Controversy

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