2022教师资格证-高中英语模拟考试冲刺试题141

1. [单选题]老师最基本的权利( )。

A. 教育教学
B. 科研学术活动
C. 民主管理
D. 管理学生

2. [单选题]墨子在教育学生时注意"子深其深、浅其浅、益其益、尊其尊"。这体现的教育原则是( )。

A. 循序渐进
B. 因材施教
C. 全面发展
D. 自主探究

3. [多选题]记忆的品质主要有( )。

A. 记忆，的情境性
B. 记忆的敏捷性
C. 记忆的持久性
D. 记忆的准确性

4. [单选题]小刘为了得到老师和父母的奖励而努力学习，他的学习动机是( )。

A. 高尚动机
B. 内部动机
C. 外部动机
D. 低级动机

5. [单选题]德育是指道德教育。学校德育，一般来说是指学生在老师的教导下，以学习活动、社会实践、日常生话、人际交往为基础，同经过选择的人类文化，特别是一定的( )、政治意识、处事准则、行为规范相互作用，经过自己的感受，判断体验，从而生成道德品质、人生观和社会逻辑的教育。

A. 道德观念
B. 伦理思想
C. 道德品质
D. 道德规范

6. [单选题]班主任在班级管理体制中的领导影响力主要表现在二个方面，一是职权影响力，二是( )。

A. 年龄影响力
B. 性别影响力
C. 个性影响力
D. 学历影响力

7. [单选题]所谓( )是人们在相互交往中，由个人的好恶、兴趣自发组织起来的群体，具有强烈的感情色彩。

A. 非正式群体
B. 正式群体
C. 联合群体
D. 松散群体

8. [单选题]-A: Lets go to the movie tonight 　　-B: l'd like to, but I have to study for an exam. 　　In the conversation above, B's decline of the 　　proposal is categorized as a kind of _________.

A. illocutionary act
B. perlocutionary act
C. propositional condition
D. sincerity condition

9. [单选题] When a teacher wants to test students' listening skills, grammar, vocabulary and pronunciation, which of the following test format is the most suitable one?

A. True or false questions.
B. Completion.
C. Dictation.
D. Translation.

10. [单选题]请阅读 Passage 2,完成1~5小题。 　　Passage 2 　　Taylor Swift,the seven-time Grammy winner,is known for her articulate lyrics,so there was nothing surprising about her writing a long column for The Wall Street Journal about the future of the music industry.Yet there's reason to doubt the optimism of what she had to say. 　　"This moment in music is so exciting because the creative avenues an artist can explore are limitless," Swift wrote."In this moment in musiC.stepping out of your comfort zone is rewardeD.and sonic evolution is not only accepted ...it is celebrated.The only real risk is being too afraid to take a risk at all." 　　That's hard to reconcile with Nielsen's mid-year U.S.music report,which showed a 15 percent year-on-year drop in album sales and a 13 percent decline in digital track sales.This could be the 2013 story all over again,in which streaming services cannibalize their growth from digital downloads,whose numbers dropped for the first time ever last year,except that even including streams,album sales are down 3.3 percent so far in 2014.Streaming has grown even more than it did last year,42 percent compared to 32 percent,but has failed to make up for a general loss of interest in music. 　　Consider this: in 2014 to date,Americans purchased 593.6 million digital tracks and heard 70.3 million video and audio streams for a sum total of 663.9 million.In the comparable period of 2013,the total came to 731.7 million. 　　Swift,one ofthe few artists able to pull off stadium tours,believes it's all about quality."People are still buying albums,but now they're buying just a few of them," she wrote."They are buying only the ones that hit them like an arrow through the heart." 　　In 2000,album sales peaked at 785 million.Last year,they were down to 415.3 million.Swift is right,but for many of the artists whose albums pierce hearts like arrows,it's too late.sales of vinyl albums have increased 40.4 percent so far this year,according to Nielsen,and the top-selling one was guitar hero Jack White's Lazaretto.The top 10 also includes records by the aging or deaD.such as the Beatles and Bob Marley & the Wailers.More modern entries are not exactly teen sensations,either: the Black Keys,Beck and the Arctic Monkeys.None of these artists is present on the digital sales charts,including or excluding streams.The top-selling album so far this year,by a huge margin,is the saccharine soundtrack to the Disney animated hit,"Frozen" . 　　When,like me,you're over 40 and you believe the music industry has been in decline since in 1993 (the year Nirvana released in Utero),it's easy to criticize the music taste of "the kids these days" ,a term even the 23-year old Swift uses.My fellow dinosaurs will understand if they compare 1993's top albums to Nielsen's 2014 list.But these kids don't just like to listen to different music than we do,they no longer find much worth hearing. 　　The way the music industry works now may have something to do with that.In the old 　　days,musicians showed their work to industry executives,the way most book authors still do to publishers (although that tradition,too,is eroding).The executives made mistakes and were credited with brilliant finds.Sometimes they followed the public taste,and sometimes they strove to shape it,taking big financial and career risks in the process.These days,according to Swift,it's all about the social networks."A friend of mine,who is an actress,told me that when the casting for her recent movie came down to two actresses,the casting director chose the actress with more Twitter followers," Swift wrote."In the future,artists will get record deals because they have fans-not the other way around." 　　The social networks are fickle and self-consciously sarcastic (see the recent potato salad phenomenon).They are not about arrow-through-the-heart sincerity.That's why YouTube made Psy a star,but it couldn't have been the medium for Beatle maniA.Justin Timberlake has 32.9 million Twitter followers,but he's no Jack White. 　　In the music industry's heyday,it produced a lot of schlock.But it got great music out to the masses,too.These days,it expects artists to do their own promotion and for those who less good at that than at making musiC.it may mean not getting heard.For fans it means less good music to stream and downloaD.Well,there's always the warm and fuzzy world of vinyl nostalgiA.I guess.

Which of the following is closest in meaning to the underlined word "heyday" in the Last PAraGraPH?

A. Bad moment.
B. Golden time.
C. Rush hour.
D. Lucky day.

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