针对蒋介石“内战、独裁、分裂”的阴谋，中国共产党明确提出了“和

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[单选题]针对蒋介石“内战、独裁、分裂”的阴谋，中国共产党明确提出了“和平、民主、团结，，三大口号，以代替过去提出的“抗战、团结、进步”三大口号。这一．口号来源于

A. 1945年《抗日战争胜利后的时局和我们的方针》
B. 1945年《对目前时局的宣言》
C. 1946年《中共关于目前时局及对策的指示》
D. “双十协定”

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学习资料：

[单选题]某资本家投资100万元，每次投资所获得的利润为25万元，假定其资本有机构成为4：1，那么该资本家每次投资所实现的剩余价值率为（　　）

A. 100%
B. 75%
C. 50%
D. 125%

[单选题]在当代中国。坚持发展是硬道理的本质要求是坚持科学发展．科学发展观是我国经济社会发展的重要指导方针。是发展中国特色社会主义必须坚持和贯彻的重大战略思想，是党必须长期坚持的指导思想。提出科学发展观的现实基础是

A. 当代世界的发展实践和发展理念
B. 我国社会主义初级阶段的基本国情
C. 新世纪新阶段的阶段性特征
D. 社会主义建设正反两方面的历史经验

[多选题]坚持和完善社会主义初级阶段基本经济制度，必须毫不动摇巩固和发展公有制经济，必须毫不动摇鼓励、支持、引导非公有制经济发展。这是因为，公有制经济和非公有制经济都是我国

A. 经济社会发展的重要基础
B. 社会主义市场经济的重要组成部分
C. 社会主义经济的重要组成部分
D. 社会主义经济制度的基础

[单选题]正确答案是_______.

A. G

[单选题]What prompted the chancellor to develop his scheme?

A. A desire to secure a better life for all.
B. An eagerness to protect the unemployed.
C. An urge to be generous to the claimants.
D. A passion to ensure fairness for taxpayers.

[单选题]请在第__5__处填上正确答案。

A. wellbeing
B. environment
C. relationship
D. outlook

[单选题]根据以下资料，回答{TSE}题。In the 2006 film version of The Devil Wears Prada, Miranda Priestly, played by Meryl Streep, scold her unattractive assistant for imagining that high fashion doesn’t affect her.Priestly explains how the deep blue color of the assistant’s sweater descended over the years from fashion shows to department stores and to the bargain bin in which the poor girl doubtless found her garment.This top-down conception of the fashion business couldn’t be more out of date or at odds with feverish world described in Overdressed, Elizabeth Cline’s three-year indictment of “fast fashion”.In the last decades or so, advances in technology have allowed mass-market labels such as Zara, H&M, and Uniqlo to react to trends more quickly and anticipate demand more precisely.Quckier turnrounds mean less wasted inventory, more frequent releases, and more profit.Those labels encourage style-conscious consumers to see clothes as disposal—— meant to last only a wash or two, although they don’t advertise that——and to renew their wardrobe every few weeks.By offering on-trend items at dirt-cheap prices, Cline argues, these brands have hijacked fashion cycles, shaking all industry long accustomed to a seasonal pace.The victims of this revolution, of course, are not limited to designers.For H&M to offer a 5.95 knit miniskirt in all its 2300-plus stores around the world, it must rely on low-wage, overseas labor, order in volumes that strain natural resources, and use massive amount of harmful chemicals.Overdressed is the fashion world’s answer to consumer activist bestsellers like Michael Pollan’s The Omnivore’s Dilemma.Mass-produced clothing, like fast food, fills a hunger and need, yet is non-durable, and wasteful,” Cline argues, Americans, she finds, buy roughly 20 billion garments a year——about 64 items per person——and no matter how much they give away, this excess leads to waste.Towards the end of Overdressed, Cline introduced her ideal, a Brooklyn woman named SKB, who, since 2008 has make all of her own clothes——and beautifully.But as Cline is the first to note, it took Beaumont decades to perfect her craft; her example, can’t be knocked off.Though several fast-fashion companies have made efforts to curb their impact on labor and the environment——including H&M, with its green Conscious Collection Line——Cline believes lasting-change can only be effected by the customer.She exhibits the idealism common to many advocates of sustainability, be it in food or in energy.Vanity is a constant; people will only start shopping more sustainably when they can’t afford to it.{TS}Priestly criticizes her assistant for her

A. poor bargaining skill.
B. insensitivity to fashion.
C. obsession with high fashion.
D. lack of imagination.

[单选题]What is the subject of the text?

根据以下资料，回答下面的题目。In the 2006 film version of The Devil Wears Prada, Miranda Priestly, played by Meryl Streep, scold her unattractive assistant for imagining that high fashion doesn’t affect her.Priestly explains how the deep blue color of the assistant’s sweater descended over the years from fashion shows to department stores and to the bargain bin in which the poor girl doubtless found her garment.This top-down conception of the fashion business couldn’t be more out of date or at odds with feverish world described in Overdressed, Elizabeth Cline’s three-year indictment of “fast fashion”.In the last decades or so, advances in technology have allowed mass-market labels such as Zara, H&M, and Uniqlo to react to trends more quickly and anticipate demand more precisely.Quckier turnrounds mean less wasted inventory, more frequent releases, and more profit.Those labels encourage style-conscious consumers to see clothes as disposal—— meant to last only a wash or two, although they don’t advertise that——and to renew their wardrobe every few weeks.By offering on-trend items at dirt-cheap prices, Cline argues, these brands have hijacked fashion cycles, shaking all industry long accustomed to a seasonal pace.The victims of this revolution, of course, are not limited to designers.For H&M to offer a 5.95 knit miniskirt in all its 2300-plus stores around the world, it must rely on low-wage, overseas labor, order in volumes that strain natural resources, and use massive amount of harmful chemicals.Overdressed is the fashion world’s answer to consumer activist bestsellers like Michael Pollan’s The Omnivore’s Dilemma.Mass-produced clothing, like fast food, fills a hunger and need, yet is non-durable, and wasteful,” Cline argues, Americans, she finds, buy roughly 20 billion garments a year——about 64 items per person——and no matter how much they give away, this excess leads to waste.Towards the end of Overdressed, Cline introduced her ideal, a Brooklyn woman named SKB, who, since 2008 has make all of her own clothes——and beautifully.But as Cline is the first to note, it took Beaumont decades to perfect her craft; her example, can’t be knocked off.Though several fast-fashion companies have made efforts to curb their impact on labor and the environment——including H&M, with its green Conscious Collection Line——Cline believes lasting-change can only be effected by the customer.She exhibits the idealism common to many advocates of sustainability, be it in food or in energy.Vanity is a constant; people will only start shopping more sustainably when they can’t afford to it.Priestly criticizes her assistant for her

A. Satire on an extravagant lifestyle.
B. Challenge to a high-fashion myth.
C. Criticism of the fast-fashion industry.
D. Exposure of a mass-market secret.

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