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__________can fly very high in_________sky.

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    必典考网发布"__________can fly very high in_________sky."考试试题下载及答案,更多教师资格证-高中英语的考试试题下载及答案考试题库请访问必典考网高中教师资格频道。

  • [单选题]__________can fly very high in_________sky.

  • A. The birds; the
    B. The birds; /
    C. Birds; the
    D. Birds; /

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  • [单选题]在心理测验中,成就动机测验属于( )。
  • A. 认知测验
    B. 人格测验
    C. 能力测验
    D. 智商测验

  • [单选题]下列不属于学校心理健康教育中常用途径的是( )。
  • A. 心理辅导课程
    B. 教育教学渗透
    C. 精神治疗
    D. 心理咨询

  • [多选题]社会中心课程论重视儿童对系统知识的学习。( )
  • A. 错。社会中心课程论即改造主义课程论,认为课程不应该帮助学生去适应社会,而是要建立一种新的社会秩序和社会文化。该理论不太关注学科的知识体系,而是认为课程应该围绕当代重大的社会问题来组织,帮助学生在社会方面得到发展。主张学生尽可能多的参与到社会中去,课程应以广泛的社会问题为中心。据此可以看出社会中心课程论并不重视儿童对系统知识的学习。

  • [多选题]个体心理发展的不平衡性体现在( )。
  • A. 不同系统在发展速度上的不同
    B. 不同个体在发展优势领域的不同
    C. 不同系统在到达成熟时期上的不同
    D. 同一机能特性在发展的不同时期有不同的发展速率

  • [多选题]校园组织与制度文化是校园文化的核心内容。( )
  • A. ×

  • [单选题]唐代诗人李商隐曾在诗中写道:"镂金作制传荆俗,剪绿为人起晋风。"这句诗描绘的是中国哪一种民间艺术形式?( )
  • A. 春联
    B. 年画
    C. 窗花
    D. 皮影

  • [单选题]请阅读 Passage 2,完成1~5小题。   Passage 2   Taylor Swift,the seven-time Grammy winner,is known for her articulate lyrics,so there was nothing surprising about her writing a long column for The Wall Street Journal about the future of the music industry.Yet there's reason to doubt the optimism of what she had to say.   "This moment in music is so exciting because the creative avenues an artist can explore are limitless," Swift wrote."In this moment in musiC.stepping out of your comfort zone is rewardeD.and sonic evolution is not only accepted ...it is celebrated.The only real risk is being too afraid to take a risk at all."   That's hard to reconcile with Nielsen's mid-year U.S.music report,which showed a 15 percent year-on-year drop in album sales and a 13 percent decline in digital track sales.This could be the 2013 story all over again,in which streaming services cannibalize their growth from digital downloads,whose numbers dropped for the first time ever last year,except that even including streams,album sales are down 3.3 percent so far in 2014.Streaming has grown even more than it did last year,42 percent compared to 32 percent,but has failed to make up for a general loss of interest in music.   Consider this: in 2014 to date,Americans purchased 593.6 million digital tracks and heard 70.3 million video and audio streams for a sum total of 663.9 million.In the comparable period of 2013,the total came to 731.7 million.   Swift,one ofthe few artists able to pull off stadium tours,believes it's all about quality."People are still buying albums,but now they're buying just a few of them," she wrote."They are buying only the ones that hit them like an arrow through the heart."   In 2000,album sales peaked at 785 million.Last year,they were down to 415.3 million.Swift is right,but for many of the artists whose albums pierce hearts like arrows,it's too late.sales of vinyl albums have increased 40.4 percent so far this year,according to Nielsen,and the top-selling one was guitar hero Jack White's Lazaretto.The top 10 also includes records by the aging or deaD.such as the Beatles and Bob Marley & the Wailers.More modern entries are not exactly teen sensations,either: the Black Keys,Beck and the Arctic Monkeys.None of these artists is present on the digital sales charts,including or excluding streams.The top-selling album so far this year,by a huge margin,is the saccharine soundtrack to the Disney animated hit,"Frozen" .   When,like me,you're over 40 and you believe the music industry has been in decline since in 1993 (the year Nirvana released in Utero),it's easy to criticize the music taste of "the kids these days" ,a term even the 23-year old Swift uses.My fellow dinosaurs will understand if they compare 1993's top albums to Nielsen's 2014 list.But these kids don't just like to listen to different music than we do,they no longer find much worth hearing.   The way the music industry works now may have something to do with that.In the old   days,musicians showed their work to industry executives,the way most book authors still do to publishers (although that tradition,too,is eroding).The executives made mistakes and were credited with brilliant finds.Sometimes they followed the public taste,and sometimes they strove to shape it,taking big financial and career risks in the process.These days,according to Swift,it's all about the social networks."A friend of mine,who is an actress,told me that when the casting for her recent movie came down to two actresses,the casting director chose the actress with more Twitter followers," Swift wrote."In the future,artists will get record deals because they have fans-not the other way around."   The social networks are fickle and self-consciously sarcastic (see the recent potato salad phenomenon).They are not about arrow-through-the-heart sincerity.That's why YouTube made Psy a star,but it couldn't have been the medium for Beatle maniA.Justin Timberlake has 32.9 million Twitter followers,but he's no Jack White.   In the music industry's heyday,it produced a lot of schlock.But it got great music out to the masses,too.These days,it expects artists to do their own promotion and for those who less good at that than at making musiC.it may mean not getting heard.For fans it means less good music to stream and downloaD.Well,there's always the warm and fuzzy world of vinyl nostalgiA.I guess.
  • Why does the writer fell nostalgic about vinyl albums?

  • A. They mainly cater for young people.
    B. They promote music for people over 40.
    C. They rely on social networks in their distribution.
    D. They contain music that could touch people's hearts.

  • [单选题]最早应用"启发式"进行教学的外国教育家是( )。
  • A. 苏格拉底
    B. 亚里士多德
    C. 柏拉图
    D. 凯洛夫

  • [单选题]In which stage of the Presentation-Practice-Production approach will students have the chance to use the new language freely and incorporate it into their existing language?
  • A. Presentation stage.
    B. Practice stage.
    C. Production stage.
    D. Practice stage and Production stage.

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