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2013年9月29日,中国(上海)自由贸易试验区正式启动运作,36家

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  • 【名词&注释】

    深化改革(deepening reform)、革命道路(revolutionary road)、主要任务(major task)、合法斗争(legal struggle)、武装斗争(armed struggle)、优化经济结构(optimize the economic structure)、探索新途径(to explore new ways)、矛盾的特殊性(particularity of contradiction)、《中国的红色政权为什么能够存在?》、《星星之火

  • [多选题]2013年9月29日,中国(上海)自由贸易试验区正式启动运作,36家中外企业和金融机构颁布证照,首批入驻试验区,建设该试验区的主要任务是

  • A. 促进转变经济增长方式和优化经济结构
    B. 推动加快转变政府职能和行政体制改革
    C. 为全面深化改革和扩大开放探索新途径(to explore new ways)、积累新经验
    D. 推动构建更加公平合理的市场经济体制

  • 查看答案&解析 查看所有试题
  • 学习资料:
  • [单选题]毛泽东把经过长期武装斗争,先占乡村,后取城市.最后夺取全国胜利,作为革命道路确立下来的文章是
  • A. 《中国的红色政权为什么能够存在?》
    B. 《井冈山的斗争》
    C. 《星星之火,可以燎原》
    D. 《战争和战略问题》

  • [多选题]第二次世界大战结束以来,随着国家垄断资本主义的形成和发展,资产阶级国家对经济进行的干预明显加强,从而使得资本主义社会的经济调节机制发生了显著变化。与这种变化相适应,经济危机形态也发生了很大变化。其主要表现是
  • A. 经济危机更多地表现为金融危机的频繁发生
    B. 经济危机通常由国家间的贸易失衡直接引发
    C. 经济危机各阶段的交替过程已不十分明显
    D. 经济危机的破坏作用只局限于发达资本主义国家

  • [多选题]柏拉图说:“法律有一部分是为有美德的人制定的,如果他们愿意和平善良地生活,那么法律可以教会他们在与他人的交往中所要遵循的准则;法律也有一部分是为那些不接受教诲的人制定的,这些人顽固不化,没有任何办法能使他们摆脱罪恶。”这段话所凸显的法律的规范作用是
  • A. 教育作用
    B. 保障作用
    C. 预测作用
    D. 强制作用

  • [多选题]茶文化在我国有悠久的历史,茶叶因生长环境的差异而带有不同的味道,一些人根据多年的经验给自己所品尝的茶以特殊的名字。以来显示它的独特之处,“东方美人”是台湾苗粟出产的一种名茶,它由当地客家人种植,是被小绿叶蝉咬过的乌龙茶叶。很久以前。英国女王偶尔品尝到此茶,将悬在茶杯里的茶叶赞叹为“正在跳舞的东方美女”,茶名由此而得。这种茶的曼妙之处还在于可用冰水浸泡。透过冰滴壶,一滴滴冰水滤过茶叶。茶汤香气馥郁。色若琥珀。这表明
  • A. 一事物区别于它事物就在于矛盾的特殊性(particularity of contradiction)
    B. 世界上的一切事物都具有自觉反映的特性
    C. 人的认识是在实践中不断的深化和发展的
    D. 人为事物的联系形成后不在人的意识之外

  • [单选题]正确答案是_______.
  • A. D

  • [单选题]What is the subject of the text?
  • 根据以下资料,回答下面的题目。In the 2006 film version of The Devil Wears Prada, Miranda Priestly, played by Meryl Streep, scold her unattractive assistant for imagining that high fashion doesn’t affect her.Priestly explains how the deep blue color of the assistant’s sweater descended over the years from fashion shows to department stores and to the bargain bin in which the poor girl doubtless found her garment.This top-down conception of the fashion business couldn’t be more out of date or at odds with feverish world described in Overdressed, Elizabeth Cline’s three-year indictment of “fast fashion”.In the last decades or so, advances in technology have allowed mass-market labels such as Zara, H&M, and Uniqlo to react to trends more quickly and anticipate demand more precisely.Quckier turnrounds mean less wasted inventory, more frequent releases, and more profit.Those labels encourage style-conscious consumers to see clothes as disposal—— meant to last only a wash or two, although they don’t advertise that——and to renew their wardrobe every few weeks.By offering on-trend items at dirt-cheap prices, Cline argues, these brands have hijacked fashion cycles, shaking all industry long accustomed to a seasonal pace.The victims of this revolution, of course, are not limited to designers.For H&M to offer a 5.95 knit miniskirt in all its 2300-plus stores around the world, it must rely on low-wage, overseas labor, order in volumes that strain natural resources, and use massive amount of harmful chemicals.Overdressed is the fashion world’s answer to consumer activist bestsellers like Michael Pollan’s The Omnivore’s Dilemma.Mass-produced clothing, like fast food, fills a hunger and need, yet is non-durable, and wasteful,” Cline argues, Americans, she finds, buy roughly 20 billion garments a year——about 64 items per person——and no matter how much they give away, this excess leads to waste.Towards the end of Overdressed, Cline introduced her ideal, a Brooklyn woman named SKB, who, since 2008 has make all of her own clothes——and beautifully.But as Cline is the first to note, it took Beaumont decades to perfect her craft; her example, can’t be knocked off.Though several fast-fashion companies have made efforts to curb their impact on labor and the environment——including H&M, with its green Conscious Collection Line——Cline believes lasting-change can only be effected by the customer.She exhibits the idealism common to many advocates of sustainability, be it in food or in energy.Vanity is a constant; people will only start shopping more sustainably when they can’t afford to it.Priestly criticizes her assistant for her

  • A. Satire on an extravagant lifestyle.
    B. Challenge to a high-fashion myth.
    C. Criticism of the fast-fashion industry.
    D. Exposure of a mass-market secret.

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