未成年的父母被撤销监护资格，其抚养费用由( )承担。

【名词&注释】

决定作用(decisive role)、达到目标(reach the target)、黄金时代(golden age)、环境决定论(environmental determinism)、经典音乐(classic music)、教育行政部门(educational executive organizations)、代表人物(representative)、替代强化(replacement intensifying)、辉煌成就(brilliant achievements)、各种类型(various type)

[单选题]未成年的父母被撤销监护资格，其抚养费用由( )承担。

A. 当地民政局
B. 新监护人
C. 父母
D. 教育行政部门

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学习资料：

[单选题]环境决定论的代表人物^{(representative)}是( )。

A. 格赛尔
B. 杜威
C. 华生
D. 霍尔

[单选题]德国教育家凯兴斯泰纳主张"造就合格公民"的教育目的。这种教育目的论属于( )。

A. 个人本位论
B. 社会本位论
C. 集体本位论
D. 阶层本位论

[单选题]人们在解决问题的过程中，发现同题的当前状态与目标状态的差别，并应用于算子来缩小这种差别，以逐步接近和达到目标状态，这种启发策略是( )。

A. 逆向工作
B. 简化计划
C. 手段一目的分析
D. 算法

[单选题]"见者易，学者难"这句话强调的是( )。

A. 对动作技能学习的重要性
B. 练习，示范
C. 言语指导
D. 反馈

[单选题]我们对优秀学生进行奖励，不仅可以鼓励优秀学生也可以鼓励一般学生，是因为一般学生受到了( )。

A. 直接奖励
B. 直接强化
C. 替代强化^{(replacement intensifying)}
D. 替代惩罚

[单选题]情绪表达可分为自我表达、向他人表达、向环境表达和升华表达四个层次。( )A.正确B.错误

A. A

[单选题]请阅读 Passage 2,完成1~5小题。 　　Passage 2 　　Taylor Swift,the seven-time Grammy winner,is known for her articulate lyrics,so there was nothing surprising about her writing a long column for The Wall Street Journal about the future of the music industry.Yet there's reason to doubt the optimism of what she had to say. 　　"This moment in music is so exciting because the creative avenues an artist can explore are limitless," Swift wrote."In this moment in musiC.stepping out of your comfort zone is rewardeD.and sonic evolution is not only accepted ...it is celebrated.The only real risk is being too afraid to take a risk at all." 　　That's hard to reconcile with Nielsen's mid-year U.S.music report,which showed a 15 percent year-on-year drop in album sales and a 13 percent decline in digital track sales.This could be the 2013 story all over again,in which streaming services cannibalize their growth from digital downloads,whose numbers dropped for the first time ever last year,except that even including streams,album sales are down 3.3 percent so far in 2014.Streaming has grown even more than it did last year,42 percent compared to 32 percent,but has failed to make up for a general loss of interest in music. 　　Consider this: in 2014 to date,Americans purchased 593.6 million digital tracks and heard 70.3 million video and audio streams for a sum total of 663.9 million.In the comparable period of 2013,the total came to 731.7 million. 　　Swift,one ofthe few artists able to pull off stadium tours,believes it's all about quality."People are still buying albums,but now they're buying just a few of them," she wrote."They are buying only the ones that hit them like an arrow through the heart." 　　In 2000,album sales peaked at 785 million.Last year,they were down to 415.3 million.Swift is right,but for many of the artists whose albums pierce hearts like arrows,it's too late.sales of vinyl albums have increased 40.4 percent so far this year,according to Nielsen,and the top-selling one was guitar hero Jack White's Lazaretto.The top 10 also includes records by the aging or deaD.such as the Beatles and Bob Marley & the Wailers.More modern entries are not exactly teen sensations,either: the Black Keys,Beck and the Arctic Monkeys.None of these artists is present on the digital sales charts,including or excluding streams.The top-selling album so far this year,by a huge margin,is the saccharine soundtrack to the Disney animated hit,"Frozen" . 　　When,like me,you're over 40 and you believe the music industry has been in decline since in 1993 (the year Nirvana released in Utero),it's easy to criticize the music taste of "the kids these days" ,a term even the 23-year old Swift uses.My fellow dinosaurs will understand if they compare 1993's top albums to Nielsen's 2014 list.But these kids don't just like to listen to different music than we do,they no longer find much worth hearing. 　　The way the music industry works now may have something to do with that.In the old 　　days,musicians showed their work to industry executives,the way most book authors still do to publishers (although that tradition,too,is eroding).The executives made mistakes and were credited with brilliant finds.Sometimes they followed the public taste,and sometimes they strove to shape it,taking big financial and career risks in the process.These days,according to Swift,it's all about the social networks."A friend of mine,who is an actress,told me that when the casting for her recent movie came down to two actresses,the casting director chose the actress with more Twitter followers," Swift wrote."In the future,artists will get record deals because they have fans-not the other way around." 　　The social networks are fickle and self-consciously sarcastic (see the recent potato salad phenomenon).They are not about arrow-through-the-heart sincerity.That's why YouTube made Psy a star,but it couldn't have been the medium for Beatle maniA.Justin Timberlake has 32.9 million Twitter followers,but he's no Jack White. 　　In the music industry's heyday,it produced a lot of schlock.But it got great music out to the masses,too.These days,it expects artists to do their own promotion and for those who less good at that than at making musiC.it may mean not getting heard.For fans it means less good music to stream and downloaD.Well,there's always the warm and fuzzy world of vinyl nostalgiA.I guess.

Which of the following is closest in meaning to the underlined word "heyday" in the Last PAraGraPH?

A. Bad moment.
B. Golden time.
C. Rush hour.
D. Lucky day.

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