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在计算机系统中,指挥,协调计算机工作的设备是( )。

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  • 【名词&注释】

    人本主义教育(humanistic education)、《黄帝内经》(yellow emperor ' s internal classic)、人本主义学习理论(humanistic learning theory)、建构主义学习理论(constructivist learning theory)、《神农本草经》、《本草纲目》(compendium of materia medica)、经典著作(classics)、黄金时代(golden age)、经典音乐(classic music)、建构主义教育

  • [单选题]在计算机系统中,指挥,协调计算机工作的设备是( )。

  • A. 存储器
    B. 控制器
    C. 运算器
    D. 寄存器

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  • 学习资料:
  • [单选题]下列选项中,不属于中医学著作的是( )。
  • A. 《神农本草经》
    B. 《本草纲目》
    C. 《齐民要术》
    D. 《黄帝内经》

  • [单选题]意大利著名教育家蒙台梭利有一句教育名言:"没有哪一个人是由别人教育出来的,他必须自己教育自己。"这句话直接与下列哪一思想、学说相支持( )。
  • A. 实用主义教育
    B. 人本主义教育
    C. 建构主义教育
    D. 自然主义教育

  • [单选题]教育者施教传道和受教育者受教修养的相互作用的活动方式称为( )。
  • A. 德育内容
    B. 德育活动
    C. 德育方法
    D. 德育过程

  • [单选题]"课内打基础,课外出人才",反映课外活动能( )。
  • A. 进行书本系统知识的传授
    B. 开发学生的潜在能力
    C. 强化教师统一指导
    D. 成为学校教学的主要形式

  • [单选题] According to sociologists, there are several different ways in which a person may become recognized as the leader of a social group. In the fanuly, traditional cultural patterns confer leadership on one or both of the parents. In other cases, such as friendship groups, one or more persons may gradually emerge as leaders, although there is no formal process of selection. In larger groups, leaders are usually chosen formally through election or recruitment. Although leaders are often thought to be people with unusual personal ability, decades of research have failed to produce eonsistent evidence that there is any category of "natural leaders". It seems that there is no set of personal qualities that all leaders have in common; rather, virtually any person may be recognized as a leader if the person has qualities that meet the needs of that particular group. Research suggests that there are typically two different leadership roles that are held by different individuals. Instrumental leadership is leadership that emphasizes the completion of tasks by a social group. Group members look to instrumental leaders to "get things done". Expressive leadership, on the other hand, is leadership that emphasizes the collective well-beings of a social group's members. Expressive leaders are less concemed with the overall goals of the group than with providing emotional support to group members and attempting to minimize tension and conflict among them. Instrumental leaders are likely to have a rather secondary relationship to other group members. They give others tasks and may discipline group members who inhibit attainment of the group's goals. Expressive leaders cultivate a more personal or primary relationship to others in the group. They offer sympathy when someone experiences difficulties and try to resolve issues that threaten to divide the group. As the differences in these two roles suggest, expressive leaders generally receive more personal affection from group members; instrumental leaders, if they are successful in promoting group goals, may enjoy a more distant respect.
  • Which of the following statements about leadership can be inferred from Paragraph 2?

  • A. A person who is an effective leader of a particular group may not be an effective leader in another group.
    B. Few people succeed in sharing a leadership role with another person.
    C. A person can best learn how to be an effective leader by studying research on leadership.
    D. Most people desire to be leaders but can produce little evidence of their qualifications.

  • [单选题]请阅读 Passage 2,完成1~5小题。   Passage 2   Taylor Swift,the seven-time Grammy winner,is known for her articulate lyrics,so there was nothing surprising about her writing a long column for The Wall Street Journal about the future of the music industry.Yet there's reason to doubt the optimism of what she had to say.   "This moment in music is so exciting because the creative avenues an artist can explore are limitless," Swift wrote."In this moment in musiC.stepping out of your comfort zone is rewardeD.and sonic evolution is not only accepted ...it is celebrated.The only real risk is being too afraid to take a risk at all."   That's hard to reconcile with Nielsen's mid-year U.S.music report,which showed a 15 percent year-on-year drop in album sales and a 13 percent decline in digital track sales.This could be the 2013 story all over again,in which streaming services cannibalize their growth from digital downloads,whose numbers dropped for the first time ever last year,except that even including streams,album sales are down 3.3 percent so far in 2014.Streaming has grown even more than it did last year,42 percent compared to 32 percent,but has failed to make up for a general loss of interest in music.   Consider this: in 2014 to date,Americans purchased 593.6 million digital tracks and heard 70.3 million video and audio streams for a sum total of 663.9 million.In the comparable period of 2013,the total came to 731.7 million.   Swift,one ofthe few artists able to pull off stadium tours,believes it's all about quality."People are still buying albums,but now they're buying just a few of them," she wrote."They are buying only the ones that hit them like an arrow through the heart."   In 2000,album sales peaked at 785 million.Last year,they were down to 415.3 million.Swift is right,but for many of the artists whose albums pierce hearts like arrows,it's too late.sales of vinyl albums have increased 40.4 percent so far this year,according to Nielsen,and the top-selling one was guitar hero Jack White's Lazaretto.The top 10 also includes records by the aging or deaD.such as the Beatles and Bob Marley & the Wailers.More modern entries are not exactly teen sensations,either: the Black Keys,Beck and the Arctic Monkeys.None of these artists is present on the digital sales charts,including or excluding streams.The top-selling album so far this year,by a huge margin,is the saccharine soundtrack to the Disney animated hit,"Frozen" .   When,like me,you're over 40 and you believe the music industry has been in decline since in 1993 (the year Nirvana released in Utero),it's easy to criticize the music taste of "the kids these days" ,a term even the 23-year old Swift uses.My fellow dinosaurs will understand if they compare 1993's top albums to Nielsen's 2014 list.But these kids don't just like to listen to different music than we do,they no longer find much worth hearing.   The way the music industry works now may have something to do with that.In the old   days,musicians showed their work to industry executives,the way most book authors still do to publishers (although that tradition,too,is eroding).The executives made mistakes and were credited with brilliant finds.Sometimes they followed the public taste,and sometimes they strove to shape it,taking big financial and career risks in the process.These days,according to Swift,it's all about the social networks."A friend of mine,who is an actress,told me that when the casting for her recent movie came down to two actresses,the casting director chose the actress with more Twitter followers," Swift wrote."In the future,artists will get record deals because they have fans-not the other way around."   The social networks are fickle and self-consciously sarcastic (see the recent potato salad phenomenon).They are not about arrow-through-the-heart sincerity.That's why YouTube made Psy a star,but it couldn't have been the medium for Beatle maniA.Justin Timberlake has 32.9 million Twitter followers,but he's no Jack White.   In the music industry's heyday,it produced a lot of schlock.But it got great music out to the masses,too.These days,it expects artists to do their own promotion and for those who less good at that than at making musiC.it may mean not getting heard.For fans it means less good music to stream and downloaD.Well,there's always the warm and fuzzy world of vinyl nostalgiA.I guess.
  • Which of the following is closest in meaning to the underlined word "heyday" in the Last PAraGraPH?

  • A. Bad moment.
    B. Golden time.
    C. Rush hour.
    D. Lucky day.

  • [单选题]Which of the following is a typical feature of formal writing?
  • A. Archaic words are usually preferred.
    B. The precision oflanguage is a priority.
    C. Short and incomplete sentences are preferred.
    D. An intimate relationship with the audience is established.

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