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[多选题]某位高一英语教师组织了一个关于oil pollution的口语活动,学生们却对该活动没有兴趣,活动难以开展。请分析学生不感兴趣的两个主要原因(8分),并列举组织成功的口语活动应注意的三个主要事项(12分)。
A. (1)学生不感兴趣的两个主要原因:第一,口语话题本身具有一定难度,远离学生的实际生活,并不能有效地引起学生的学习兴趣。教师选择的话题对学生来说是陌生的,还是课外的内容,学生对石油污染的背景知识、相关原因和影响并不了解。同时,该活动脱离学生的兴趣爱好,在完成任务的过程中,学生可能会遇到生词,因此难以表达。第二,口语活动形式过于单一,学生缺少参与积极性。单一枯燥的教学活动不能充分发挥学生的主体性和创造性思维。同时,再好的语言形式如被反复使用,亦会有味同嚼蜡的感觉,因此,学生对执行任务的兴趣淡化。(2)应注意的三个主要事项:第一,要符合口语活动设计原则。口语活动的人物与话题要有真实性和可操作性,必须能引起学生的兴趣,同时还应该贴近他们的生活、学习经历与社会实际;话题的难度要符合学生的英语水平与能力;话题任务的安排要有梯度,不同的任务可以穿插进行。第二,设计丰富多彩的口语活动。例如,故事表演、话题辩论、采访活动和演讲等。教师应该广泛收集资料,尽可能设计不同类型、风格与要求的任务,应用于日常的课堂教学,使学生的创新精神与实践能力得到不断的培养与提高。第三,口语活动要体现全员参与性。新课标提出学生是课堂的主体,教师是参与者、组织者和引导者。因此,教师要从学生“学”的角度设计出各种教学活动,使学生在完成各种任务的过程中逐步形成运用语言的能力。同时,口语活动要兼顾个性化发展和全员参与性,实现因材施教。
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[单选题]以下不属于教师的义务的是( )。
A. 履行教育教学职责
B. 对学生进行思想政治教育
C. 提高业务水平
D. 指导学生的学习和发展
[单选题]杜威的教育理论代表作是( )。
A. 《民主主义与教育》
B. 《教育与新人》
C. 《普通教育学》
D. 《实验教育学》
[单选题]请阅读 Passage 2,完成1~5小题。
Passage 2
Taylor Swift,the seven-time Grammy winner,is known for her articulate lyrics,so there was nothing surprising about her writing a long column for The Wall Street Journal about the future of the music industry.Yet there's reason to doubt the optimism of what she had to say.
"This moment in music is so exciting because the creative avenues an artist can explore are limitless," Swift wrote."In this moment in musiC.stepping out of your comfort zone is rewardeD.and sonic evolution is not only accepted ...it is celebrated.The only real risk is being too afraid to take a risk at all."
That's hard to reconcile with Nielsen's mid-year U.S.music report,which showed a 15 percent year-on-year drop in album sales and a 13 percent decline in digital track sales.This could be the 2013 story all over again,in which streaming services cannibalize their growth from digital downloads,whose numbers dropped for the first time ever last year,except that even including streams,album sales are down 3.3 percent so far in 2014.Streaming has grown even more than it did last year,42 percent compared to 32 percent,but has failed to make up for a general loss of interest in music.
Consider this: in 2014 to date,Americans purchased 593.6 million digital tracks and heard 70.3 million video and audio streams for a sum total of 663.9 million.In the comparable period of 2013,the total came to 731.7 million.
Swift,one ofthe few artists able to pull off stadium tours,believes it's all about quality."People are still buying albums,but now they're buying just a few of them," she wrote."They are buying only the ones that hit them like an arrow through the heart."
In 2000,album sales peaked at 785 million.Last year,they were down to 415.3 million.Swift is right,but for many of the artists whose albums pierce hearts like arrows,it's too late.sales of vinyl albums have increased 40.4 percent so far this year,according to Nielsen,and the top-selling one was guitar hero Jack White's Lazaretto.The top 10 also includes records by the aging or deaD.such as the Beatles and Bob Marley & the Wailers.More modern entries are not exactly teen sensations,either: the Black Keys,Beck and the Arctic Monkeys.None of these artists is present on the digital sales charts,including or excluding streams.The top-selling album so far this year,by a huge margin,is the saccharine soundtrack to the Disney animated hit,"Frozen" .
When,like me,you're over 40 and you believe the music industry has been in decline since in 1993 (the year Nirvana released in Utero),it's easy to criticize the music taste of "the kids these days" ,a term even the 23-year old Swift uses.My fellow dinosaurs will understand if they compare 1993's top albums to Nielsen's 2014 list.But these kids don't just like to listen to different music than we do,they no longer find much worth hearing.
The way the music industry works now may have something to do with that.In the old
days,musicians showed their work to industry executives,the way most book authors still do to publishers (although that tradition,too,is eroding).The executives made mistakes and were credited with brilliant finds.Sometimes they followed the public taste,and sometimes they strove to shape it,taking big financial and career risks in the process.These days,according to Swift,it's all about the social networks."A friend of mine,who is an actress,told me that when the casting for her recent movie came down to two actresses,the casting director chose the actress with more Twitter followers," Swift wrote."In the future,artists will get record deals because they have fans-not the other way around."
The social networks are fickle and self-consciously sarcastic (see the recent potato salad phenomenon).They are not about arrow-through-the-heart sincerity.That's why YouTube made Psy a star,but it couldn't have been the medium for Beatle maniA.Justin Timberlake has 32.9 million Twitter followers,but he's no Jack White.
In the music industry's heyday,it produced a lot of schlock.But it got great music out to the masses,too.These days,it expects artists to do their own promotion and for those who less good at that than at making musiC.it may mean not getting heard.For fans it means less good music to stream and downloaD.Well,there's always the warm and fuzzy world of vinyl nostalgiA.I guess.
Which of the following is closest in meaning to the underlined word "heyday" in the Last PAraGraPH?
A. Bad moment.
B. Golden time.
C. Rush hour.
D. Lucky day.
[单选题]我国古代科举考试以儒家的"四书""五经"为重要依据,"四书"是指《大学》《孟子》《论语》和( )。
A. 《春秋》
B. 《中庸》
C. 《学记》
D. 《尚书》
[单选题]一个国家教育经费投入的多少最终取决于( )。
A. 文化传统
B. 受教育的需求
C. 生产力水平
D. 教育的规模
[单选题]老师要注意培养学生正确的归因观,那么正确的归因观主要归因于( )。
A. 内部稳定因素
B. 内部可控因素
C. 内部不可控因素
D. 外部可控因素
[单选题]学习动机有高尚和低级之分,其划分标准是学习动机的( )。
A. 作用
B. 社会意义
C. 动力来源
D. 个人的前途
[单选题]在试误学习的过程中,学习者对刺激情境作出特定的反应之后能够获得满意的结果时,联结力量就会增加,这符合学习规律的( )。
A. 练习律
B. 准备律
C. 近因律
D. 效果律
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