【名词&注释】
陈述性知识(declarative knowledge)、《国家中长期教育改革和发展规划纲要(2010-2020)》、米开朗基罗(michelangelo)、普通劳动者(each ordinary laborer)、《创世纪》、《蒙娜丽莎》、有关规定(related regulations)、《中华人民共和国义务教育法》、阿尔卑斯山(alps)、《中华人民共和国教师法》
[单选题]( )主管全国教师工作。
A. 国务院
B. 国务院教育行政部门
C. 全国人大
D. 教科文卫委员会
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学习资料:
[单选题]《国家中长期教育改革和发展规划纲要(2010-2020)》规定中小学应大力开展"阳光体育"运动,保证学生每天的锻炼时间是( )。
A. 3小时
B. 2小时
C. 1小时
D. 0.5小时
[单选题]关于义务教育,以下说法错误的是( )。
A. 妨碍义务教育实施,造成重大社会影响的,人民政府教育行政部门负责人应当引咎辞职。
B. 实施义务教育不收学费、书费
C. 条件不具备的地区的儿童,义务教育的入学年限可以推迟到七周岁
D. 地方各级人民政府应当保障适龄儿童、少年在户籍所在地学校就近入学。
[单选题]文艺复兴时期的艺术三杰是( )。
A. 大卫、拉斐尔、毕加索
B. 梵高、米勒、达·芬奇
C. 达·芬奇、米开朗基罗、拉斐尔
D. 大卫、米勒、德拉克罗瓦
[单选题]波兰尼的著名命题"我们知晓的比我们能说出来的多",强调的是( )。
A. 程序性知识
B. 陈述性知识
C. 显性知识
D. 隐性知识
[单选题]"闻一知十",属于的迁移是( )。
A. 顺应迁移
B. 重组迁移
C. 同化迁移
D. 逆向迁移
[单选题]某私人企业在某省投资兴建了一所中学,学校拟聘请一位外籍人士担任学校校长。这所学校的做法
A. 正确,我国学校的校长可以由外籍人士担任
B. 正确,外籍人士经过许可可以担任民办学校的校长
C. 错误,中国学校的校长只能由具有中国国籍的公民担任
D. 错误,外籍人士必须在中国居住一段时间才可担任校长
[单选题]请阅读Passage 1,完成1~5小题。
Passage 1
With her magical first novel,Garcia joins a growing chorus of talented Latino writers whose voices are suddenly reaching a far wider,more diverse audience.Unlike Latin American writers such as Colombia's Gabriel Garcia Marquee of Peru's Mario Vargas Llosa-whose translated works became popular here in the 1970s-these authors are writing in English and drawing their themes from two cultures.Their stories,from Dreaming in Cuban to Julia Alvarez's How the Garcia Girls Lost Their Accent and Victor Villasenor's rain of GolD.offer insight into the mixture of economic opportunity and discrimination that Latinos encounter in the United States.Garcia Girls for example,is the story of four sisters weathering their transition from wealthy Dominicans to ragtag immigrants,"We didn't feel we had the beat the United States had to offer," one of the girls says,"We had only second-hand stuff,rental houses in one redneck Catholic neighborhood after another,clothes at Round Robin,a black and white TV afflicted with wavy lines." Alvarez,a Middlebury College professor who emigrated from santo Domingo when she was 10,says being an immigrant has given her a special vantage point: "We travel on that border between two worlds and we can see both points ofview."
With few exceptions,such as Chicano writer Rudolfo AnayA.many Hispanic-Americans have been writing in virtual obscurity for years,nurtured only by small presses like Houston's Arte Publico or the Bilingual Press in Tempe,Ariz.Only with the recent success of sandra Cisneros's Woman Hollering Creek and Oscar Hijuelos's prize-winning novel,The Mambo Kings Play Songs of Love,have mainstream publishers begun opening door to other Latinos.Julie Grau,Cisneros's editor at Turtle Bay,says,"editors may now be looking more carefully at a book that before they would have deemed too exotic for the general readership."
But if Villasenor's experience is any indication,some editors are still wary.In 1989,Putnam gave Villasenor a $75,000 advance for the hardcover rights to rain of GolD.the compelling saga of his family's migration from Mexico to CaliforniA.But the editors,says Villasenor,wanted major changes: "They were going to destroy the book.It's nonfiction; they wanted to publish it as a novel. And they wanted to change the title to 'Rio Grande',which sounded like some old John Wayne
movie." After a year of strained relations,he mortgaged his house,borrowed his mother's life savings and bought back the rights to the book that had taken 10 years to write.
In frustration,Villasenor turned to Arte Publico.In the eight months since its release,rain of Gold has done extremely well,considering its limited distribution; 20,000 copies have been sold."If we were a mainstream publisher,this book would have been on The New York Times best-seller list for weeks," says Arte Pulico's Nicolas Kanelos.The author may still have a shot: he has sold the paperback rights to Dell.And he was just named a keynote speaker (with Molly Ivins and Norman Schwarzkopf) for the American Booksellers Association convention in May.Long before they gained this sort of attention,however,Villasenor,Cisneros and other Latino writers were quietly building devoted followings.Crossing the country,they read in local bookstores,libraries and schools.Their stories,they founD.appeal not only to Latinos-
who identify with them,but to a surprising number ofAnglos,who find in them a refreshingly different perspective on American life.Still,there are unusual pressures on these writers.Cisneros vividly recalls the angst she went through in writing the final short stories for Woman Hollering: "I was traumatized that it was going to be one of the first Chicano books 'out there'.I felt I had this responsibility to my community to represent us in all our diversity."
What did the new generation Latino writers do to get their works known to the public?
A. They avoided writing those too exotic for readers.
B. They revised their works as required by press.
C. They translated their works into English.
D. They read their books in public places.
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