四个人在议论一位作家的年龄。甲说："她不会超过35岁。"乙说："

【名词&注释】

发展阶段、消极情绪(negative emotion)、巴甫洛夫(pavlov)、遗忘曲线(forgetting curve)、生理心理学(physiological psychology)、代表人物(representative)、操作性条件反射(operant)、心理活动。、联欢晚会、莱比锡大学

[单选题]四个人在议论一位作家的年龄。甲说："她不会超过35岁。"乙说："她不超过40岁。"丙说："她的岁数在50以下。"丁说："她绝对在40岁以上。"实际上只有一个人说对了。则下列说法中，正确的是( )。

A. 甲说的对
B. 她的岁数在45-50岁之间
C. 丙说的对
D. 丁说的对

查看答案&解析 查看所有试题

学习资料：

[单选题]某校规定，平常学生携带手机进入教室，一旦发现，将立即没收并予以统一销毁。该规定侵犯的学生权利是( )。

A. 人身权
B. 财产权
C. 隐私权
D. 名誉权

[单选题]联欢晚会上，小李表演了一段越剧，老张夸奖道："小李越剧表演得那么好，他一定是南方人。"以下哪项是老张的话不包含的意思( )。

A. 不是南方人，越剧不可能唱得那么好
B. 只有越剧唱得好，才是南方人
C. 只要越剧唱得像小李那样好，就是南方人
D. 除非小李是南方人，否则越剧不可能唱得那么好

[单选题]最早提出遗忘曲线及其规律的心理学家是( )。

A. 巴甫洛夫
B. 艾宾浩斯
C. 斯金纳
D. 威廉·冯特

[多选题]什么是情绪？它有哪些功能？

A. 情绪是以个体的愿望和需要为中介的一种心理活动。情绪的功能包括：(1)适应功能：情绪和情感是有机体适应生存和发展的一种重要方式。(2)动机功能：情绪和情感能够激励人活动，提高人的活动效率。情绪对生理内驱力也具有放大信号的作用，成为驱使人们行为的强大动力。(3)组织功能：积极的情绪具有协调作用，消极情绪具有破坏瓦解作用。(4)信号功能：情绪情感的信号功能通过情绪的外部表现，表情来实现的。

[单选题]按照科尔伯格的理论，以人际关系和谐或"好孩子"为定向的道德发展阶段处于( )。

A. 前习俗水平
B. 习俗水平
C. 后习俗水平
D. 准习俗水平

[单选题]Passage 1 　　With her magical first novel, Garcia joins a growing chorus of talented Latino writers whose voices are suddenly reaching a far wider, more diverse audience. Unlike Latin American writers such as Colombia's Gabriel Garcia Marquee of Peru's Mario Vargas Llosa-whose translated works became popular here in the 1970s-these authors are writing in English and drawing their themes from two cultures. Their stories, from "Dreaming in Cuban" to Julia Alvarez's "How the Garcia Girls Lost Their Accent" and Victor Villasenor's "Rain of Gold", offer insight into the mixture of economic opportunity and discrimination that Latinos encounter in the United States. "Garia Girls" for example, is the story of four sisters weathering their transition from wealthy Dominicans to ragtag immigrants, "We didn't feel we had the beat the United States had to offer:' one of the girls says, "We had only second-hand staff, rental houses in one redneck Catholic neighborhood after another, clothes at Round Robin, a black and white TV afflicted with wavy lines. " Alvarez, a Middlebury College professor who emigrated from Santo Domingo when she was 10, says being an immigrant has given her a special vantage point: "We travel on that border between two worlds and we can see both points of view. " 　　With few exceptions, such as Chicano writer Rudolfo Anaya, many Hispanic-Americans have been writing in virtual obscurity for years, nurtured only by small presses like Houston's Arte Pubilco or the Bilingual Press in Tempe, Ariz. Only with the recent success of Sandra Cisneros's "Woman Hollering Ceek" and Oscar Hijuelos's prize-winning novel, "The Mambo Kings Play Songs of Love," have mainstream publishers begun opening door to other Latinos. Julie Grau, Cisneros's editor at Turtle Bay, says, "Editors may now be looking more carefully at a book that before they would have deemed too exotic for the general readership. 　　But if Villasenor's experience is any indication, some editors are still wary. In 1989, Putnam gave Villasenor a $75,000 advance for the hardcover rights to "Rain of Gold:' the compelling saga of his family's migration from Mexico to California. But the editors, says Villasenor, wanted major changes: "They were going to destroy the book. lt's nonfiction; they wanted to publish it as a novel. And they wanted to change the title to 'Rio Grande', which sounded like some old John Wayne movie. " After a year of strained relations, he mortgaged his house, borrowed his mother's life savings and bought back the rights to the book that had taken 10 years to write. 　　In frustration, Villasenor turned to Arte Publico. In the eight months since its release, "Rain of Gold" has done extremely well, considering its limited distribution; 20,000 copies have been sold. "If we were a mainstream publisher, this book would have been on The New York Times best-seller list for weeks:' says Arte Pulico's Nicolas Kanelos. The author may still have a shot: he has sold the paperback rights to Dell. And he was just named a keynote speaker (with Molly lvins and Norman Schwarzkopf for the American Booksellers Association convention in May. Long before they gained this sort of attention, however, Villasenor, Cisneros and other Latino writers were quietly building devoted followings. Crossing the country, they read in local bookstores, libraries and schools. Their stories, they found, appeal not only to Latinos-who identify with them, but to a surprising number of Anglos, who find in them a refreshingly different perspective on American life. Still, there are unusual pressures on these writers. Cisneros vividly recalls the angst she went through in writing the final short stories for "Woman Hollering": "I was traumatized that it was going to be one of the first Chicano books 'out there. ' I felt I had this responsibility to my community to represent us in all our diversity. "

What advantage do the new generation latino writers have over Latin American writers according to the passage?

A. The former are able to write in two different anguages
B. The former can translate their works into different languages
C. The former are able to express ideas from a bi-cultural perspective
D. The former can travel freely across the border between two countries

本文链接：https://www.51bdks.net/show/dqp74p.html