在Word中，利用( )工具可以插入系统自带的图片。

【名词&注释】

学生档案(student file)、任课教师(teachers who)、主要任务(major task)、品德课教学(teaching of morality curriculum)、校外活动、差别感受性(differential sensitivity)、埃里克森(ericsson)、历史博物馆(history museum)、学而不思则罔(learning without thought is labor lost)、习与性成

[单选题]在Word中，利用( )工具可以插入系统自带的图片。

A. "剪贴画"
B. "组织结构图"
C. "图形"
D. "图表"

查看答案&解析 查看所有试题

学习资料：

[单选题]一个学生写了一首诗，被教师说成是"癞蛤蟆想吃天鹅肉"。一个成绩较差的学生张某次考试得了97分，却被教师和家长说成是"瞎猫碰到了死耗子"。老师的做法忽视了( )。

A. 学生是完整的人
B. 学生是处于发展过程中的人
C. 每个学生都有自身的独特性
D. 学生是独立于教师头脑之外的人

[单选题]下列选项中属于孔子教育主张的是( )。

A. 人之性恶，其善者伪也
B. 博学之、审问之、慎思之、明辨之、笃行之
C. 习与性成者，习成而性与成也
D. 学而不思则罔^{(learning without thought is labor lost)}，思而不学则殆

[单选题]能够觉察出两个刺激事物之间最小差异的能力叫做感觉的( )。

A. 绝对感受性
B. 差别感觉阈限
C. 绝对感觉阈限
D. 差别感受性

[单选题]某学生由于进步明显，老师取消了对他的处分，这种强化方式是( )。

A. 正强化
B. 负强化
C. 消退
D. 惩罚

[单选题]根据埃里克森^(ericsson)的理论，中学生人格发展的主要任务是( )。

A. 培养自主性
B. 培养勤奋感
C. 培养主动性
D. 培养自我同一性

[单选题]爱国主义的情感属于( )。

A. 行为的
B. 感觉的
C. 伦理的
D. 想象的

[单选题]学校在抗战纪念日组织学生开展参观历史博物馆^{(history museum)}，走访抗日老战士等活动，这些活动体现的德育途径是( )。

A. 思想品德课教学
B. 课外与校外活动
C. 其他学科教学
D. 情境陶冶

[单选题]了解和研究学生的最主要方法是( )。

A. 分析学生档案
B. 家访
C. 讨论法
D. 观察法

[单选题]Passage 1 　　With her magical first novel, Garcia joins a growing chorus of talented Latino writers whose voices are suddenly reaching a far wider, more diverse audience. Unlike Latin American writers such as Colombia's Gabriel Garcia Marquee of Peru's Mario Vargas Llosa-whose translated works became popular here in the 1970s-these authors are writing in English and drawing their themes from two cultures. Their stories, from "Dreaming in Cuban" to Julia Alvarez's "How the Garcia Girls Lost Their Accent" and Victor Villasenor's "Rain of Gold", offer insight into the mixture of economic opportunity and discrimination that Latinos encounter in the United States. "Garia Girls" for example, is the story of four sisters weathering their transition from wealthy Dominicans to ragtag immigrants, "We didn't feel we had the beat the United States had to offer:' one of the girls says, "We had only second-hand staff, rental houses in one redneck Catholic neighborhood after another, clothes at Round Robin, a black and white TV afflicted with wavy lines. " Alvarez, a Middlebury College professor who emigrated from Santo Domingo when she was 10, says being an immigrant has given her a special vantage point: "We travel on that border between two worlds and we can see both points of view. " 　　With few exceptions, such as Chicano writer Rudolfo Anaya, many Hispanic-Americans have been writing in virtual obscurity for years, nurtured only by small presses like Houston's Arte Pubilco or the Bilingual Press in Tempe, Ariz. Only with the recent success of Sandra Cisneros's "Woman Hollering Ceek" and Oscar Hijuelos's prize-winning novel, "The Mambo Kings Play Songs of Love," have mainstream publishers begun opening door to other Latinos. Julie Grau, Cisneros's editor at Turtle Bay, says, "Editors may now be looking more carefully at a book that before they would have deemed too exotic for the general readership. 　　But if Villasenor's experience is any indication, some editors are still wary. In 1989, Putnam gave Villasenor a $75,000 advance for the hardcover rights to "Rain of Gold:' the compelling saga of his family's migration from Mexico to California. But the editors, says Villasenor, wanted major changes: "They were going to destroy the book. lt's nonfiction; they wanted to publish it as a novel. And they wanted to change the title to 'Rio Grande', which sounded like some old John Wayne movie. " After a year of strained relations, he mortgaged his house, borrowed his mother's life savings and bought back the rights to the book that had taken 10 years to write. 　　In frustration, Villasenor turned to Arte Publico. In the eight months since its release, "Rain of Gold" has done extremely well, considering its limited distribution; 20,000 copies have been sold. "If we were a mainstream publisher, this book would have been on The New York Times best-seller list for weeks:' says Arte Pulico's Nicolas Kanelos. The author may still have a shot: he has sold the paperback rights to Dell. And he was just named a keynote speaker (with Molly lvins and Norman Schwarzkopf for the American Booksellers Association convention in May. Long before they gained this sort of attention, however, Villasenor, Cisneros and other Latino writers were quietly building devoted followings. Crossing the country, they read in local bookstores, libraries and schools. Their stories, they found, appeal not only to Latinos-who identify with them, but to a surprising number of Anglos, who find in them a refreshingly different perspective on American life. Still, there are unusual pressures on these writers. Cisneros vividly recalls the angst she went through in writing the final short stories for "Woman Hollering": "I was traumatized that it was going to be one of the first Chicano books 'out there. ' I felt I had this responsibility to my community to represent us in all our diversity. "

Which of the following is true of Garcia as a Latino writer according to the passage?

A. She offered insight into the confrontations between two cultures
B. She emigrated from Santo Domingo when she was 10 years old
C. She became popular for her translated works in America in the 1970s
D. She described her transition from wealthyDominicans to ragtag immigrants

本文链接：https://www.51bdks.net/show/dq67z3.html