王老师讲完新课，询问同学是否学会，班级里鸦雀无声，王老师环视

【名词&注释】

英语听力(english listening)、因材施教、认知结构(cognitive structure)、主观能动性(subjective initiative)、集体主义(collectivism)、举一反三、人类社会(human society)、学科知识(subject knowledge)、道德需要(moral need)、生搬硬套(rote)

[单选题]王老师讲完新课，询问同学是否学会，班级里鸦雀无声，王老师环视教室，这时小明回答："会了"，王老师说："好的"。于是王老师进行了接下来的教学任务，王老师的行为( )。

A. 正确，与小明的互动体现了因材施教
B. 正确，关注学生的课堂感受
C. 错误，未能践行学习者为中心的理念
D. 错误，只关注学科知识^{(subject knowledge)}的学习

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学习资料：

[多选题]教育是人类和动物界都具有的一种现象。( )

A. ×

[单选题]教育心理学研究中采用的最基本、最普遍的方法是( )。

A. 实验法
B. 测验法
C. 观察法
D. 作品分析法

[单选题]下列选项中，体现了同化性迁移现象的是( )。

A. 物以类聚
B. 举一反三
C. 机智过人
D. 生搬硬套^(rote)

[单选题]下列选项中，不属于道德情感内容的是( )。

A. 爱国主义情感
B. 幸福感
C. 自尊感
D. 事业感

[单选题]从人本性和互补原则出发，下列座位编排方式最合理的一组是( )。①任意编排；②将相同家庭背景的学生排在一起；⑧把知识和能力不同的学生排在一起；④将性别不同的学生排在一起；⑤采取座位轮换方式，将性格、气质不同的学生排在一起；⑥将家庭背景不同的学生排在一起

A. ①③④⑤
B. ②③④⑤
C. ③④⑤⑥
D. ①⑧⑤⑥

[单选题]Passage 2 Taylor Swift, the seven-time Grammy winner, is known for her articulate lyrics, so there was nothing surprising about her writing a long column for The Wall Street Journal about the future of the music industry. Yet there's reason to doubt the optimism of what she had to say. "This moment in music is so exciting because the creative avenues an artist can explore are limitless:' Swift wrote. "In this moment in music, stepping out of your comfort zone is rewarded, and sonic evolution is not only accepted...it is celebrated. The only real risk is being too afraid to take a risk at all." That's hard to reconcile with Nielsen's mid-year U.S. music report, which showed a 15 percent year-on-year drop in album sales and a 13 percent decline in digital track sales. This could be the 2013 story all over again, in which streaming services cannibalize their growth from digital downloads, whose numbers dropped for the first time ever last year, except that even including streams, album sales are down 3.3 percent so far in 2014. Streaming has grown even more than it did last year, 42 percent compared to 32 percent, but has failed to make up for a general loss of interest in music.Consider this.in 2014 to date, Americans purchased 593.6 million digital tracks and heard 70.3 million video and audio streams for a sum total of 663.9 million. In the comparable period of 2013, the total came to 731.7 million.Swift, one of the few artists able to pull off stadium tours, believes it's all about quality. "People are still buying albums, but now they're buying just a few of them:' she wrote. "They are buying only the ones that hit them like an arrow through the heart." In 2000, album sales peaked at 785 million. Last year, they were down t0 415.3 million. Swift is right, but for many of the artists whose albums pierce hearts like arrows, it's too late. Sales of vinyl albums have increased 40.4 percent so far this year, according to Nielsen, and the top-selling one was guitar hero Jack White's Lazaretto. The top 10 also includes records by the aging or dead, such as the Beatles and Bob Marley & the Wailers. More modern entries are not exactly teen sensations, either. the Black Keys, Beck and the Arctic Monkeys. None of these artists is present on the digital sales charts, including or excluding streams. The top-selling album so far this year, by a huge margin, is the saccharine soundtrack to the Disney animated hit, Frozen. When, like me, you're over 40 and you believe the music industry has been in decline since in 1993 (the year Nirvana released In Utero), it's easy to criticize the music taste of "the kids these days:' a term even the 23-year old Swift uses. My fellow dinosaurs will understand if they compare 1993's top albums to Nielsen's 2014 list. But these kids don't just like to listen to different music than we do, they no longer find much worth hearing.The way the music industry works now may have something to do with that. In the old days, musicians showed their work to industry executives, the way most book authors still do to publishers (although that tradition, too, is eroding). The executives made mistakes and were credited with brilliant finds. Sometimes they followed the public taste, and sometimes they strove to shape it, taking big financial and career risks in the process. These days, according to Swift, it's all about the social networks. "A friend of mine, who is an actress, told me that when the casting for her recent movie came down to two actresses, the casting director chose the actress with more Twitter followers:' Swift wrote. "In the future, artists will get record deals because they have fans - not the other way around." The social networks are fickle and self-consciously sarcastic (see the recent potato salad phenomenon). They are not about arrow-through-the-heart sincerity. That's why YouTube made Psy a star, but it couldn't have been the medium for Beatlemania. Justin Timberlake has 32.9 million Twitter followers, but he's no Jack White. In the music industry's heyday, it produced a lot of schlock. But it got great music out to the masses, too. These days, it expects artists to do their own promotion and for those who less good at that than at making music, it may mean not getting heard. For fans it means less good music to stream and download. Well, there's always the warm and fuzzy world of vinyl nostalgia, I guess.

Why is music industry declining in the writer's view?

A. The music world is increasingly dominated by self-centered people
B. The music industry favors musicians who have more social networks
C. Modem musicians are no longer taking risks when composing musIC
D. Many musicians are not willing to promote their music on the interact

[单选题]Successful listening requires the listener ________.

A. to understand every single word of the heard material
B. to write down as many words as possible during his listening
C. to catch what he regards as important according to his listening purpose
D. to entertain himself

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