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刚进入高一,赵峰就总想“我考不上大学该怎么办”。他明知离高考还

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  • [单选题]刚进入高一,赵峰就总想“我考不上大学该怎么办”。他明知离高考还远着呢,这么早想这个事根本没必要,但就是控制不住,以至于影响了正常学习,他的主要心理问题是( )。

  • A. 强迫观念
    B. 强迫行为
    C. 恐惧观念
    D. 恐惧行为

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  • 学习资料:
  • [单选题]Which of the following is true of the English sound system?
  • A. Aspiration is a distinctive feature
    B. Voicing is distinctive phonetic feature
    C. Nasalization of vowels gives rise to another vowel
    D. Length of vowels differentiates one vowel from the other

  • [单选题]班级授课制这种教学组织形式是( )最早提出来的。
  • A. 乌申斯基
    B. 赫尔巴特
    C. 夸美纽斯
    D. 斯宾塞

  • [单选题]提出了学习的认知一一目的学说,认为学习不是简单地在刺激和反应间建立直接的联结,而是存在一种中介变量的心理学家是( )。
  • A. 桑代克
    B. 巴甫洛夫
    C. 托尔曼
    D. 苛勒

  • [多选题]随着学校的发展,班级成为学校教育的基本单位,并对学生的发展产生了越来越大的作用。( )
  • A. √

  • [单选题]某老师说"我喜欢张华同学发言前先举手""刘文丽同学作业完成得很认真"等,体现了课堂强化的( )。
  • A. 替代强化
    B. 非言语强化
    C. 迟强化
    D. 局部强化

  • [单选题]Passage 1 In the field of psychology, there's long been a certain haziness surrounding the definition of creativity, an I-know-it-when-I-see it attitude that has eluded a precise formulation. During our conversation, Beeman told me that he used to be reluctant to tell people what his area of study was, for fear of being dismissed or misunderstood. What, for instance, crosses your mind when you think of creativity?Well, we know that someone is creative if he produces new things or has new ideas. A choreographer, an artist, a writer, a scientist, or a mathematician with a novel discovery -these are the creatives, the people who bring something new into the world. And yet, as John Kounios, a psychologist at Drexel University who collaborates frequently with Beeman, points out, that view is wrong, or at least not entirely right. "Creativity is the process, not the product:' he says. To illustrate, Beeman offers an example. Imagine someone who has never used or seen a paperclip and is struggling to keep a bunch of papers together. Then the person comes up with a new way of bending a stiff wire to hold the papers in place. "That was very creative:' Beeman says. On the flip side, if someone works in a new field-Beeman gives the example of nanotechnology-anything that he produces may be considered inherently "creative." But was the act of producing it actually creative? As Beeman puts it, "Not all artists are creative. And some accountants are very creative." Insight, however, has proved less difficult to define and to study. Because it arrives at a specific moment in time, you can isolate it,examine it, and analyze its characteristics."Insight is only one part of creativity:'Beeman says. "But we can measure it. We have a temporal marker that something just happened in the brain. l'd never say that's all of creativity, but it's a central, identifiable component." When scientists examine insight in the lab, they are looking at what types of attention and thought processes lead to that moment of synthesis. If you are trying to facilitate a breakthrough, are there methods you can use that help? If you feel stuck on a problem, are there tricks to get you through? In a recent study, Beeman and Kounios followed people's gazes as they attempted to solve what's called the remote-associates test, in which the subject is given a series of words, like "pine:' "crab:' and "sauce:' and has to think of a single word that can logically be paired with all of them. They wanted to see if the direction of a person's eyes and her rate of blinking could shed light on her approach and on her likelihood of success. It turned out that if the subject looked directly at a word and focussed on it-that is, blinked less frequently, signalling a higher degree of close attention-she was more likely to be thinking in an analytical, convergent fashion, going through possibilities that made sense and systematically discarding those that didn't. If she looked at "pine:' say, she might be thinking of words like "tree:' "cone:' and "needle:' then testing each option to see if it fit with the other words. When the subject stopped looking at any specific word, either by moving her eyes or by blinking, she was more likely to think of broader, more abstract associations. That is a more insight-oriented approach. "You need to learn not just to stare but to look outside your focus:' Beeman says.(The solution to this remote-associates test."apple.") As it turns out, by simply following someone's eyes and measuring her blinks and fixation times (how long she looks at something before either looking away or closing her eyes), Beeman's group can predict how someone will likely solve a problem and when she is nearing that solution. That's an important consideration for would-be creative minds. it helps us understand how distinct patterns of attention may contribute to certain kinds of insights.
  • In PARAGRAPH FOUR, which of the following shows the purpose of describing the experiment?

  • A. To discern the link between analytical thinking and insights
    B. To discern connection between close attention and insights
    C. To discern connection between close attention and imagination
    D. To test people' s capacity for close attention and abstract association

  • [单选题] On average, American kids ages 3 to 12 spent 29 hours a week in school, eight hours more than they did in 1981. They also did more household work and participated in more of such organized activities as soccer and ballet. Involvement in sports, in particular, rose almost 50% from 1981 to 1997: boys now spend an average of four hours a week playing sports; girls log half that time. All in all, however, children's leisure time dropped from 40% of the day in 1981 to 25%. "Children are affected by the same time crunch (危机) that affects their parents," says Sandra Hofferth, who headed the recent study of children's timetable. A chief reason, she says, is that more mothers are working outside the home.(Nevertheless, children in both double-income and "male breadwinner" households spent comparable mounts of time interacting with their parents,19 hours and 22 hours respectively. In contrast, children spent only 9 hours with their single mothers.) All work and no play could make for some very messed-up kids."Play is the most powerful way a child explores the world and learns about himself," says T. Berry Brazelton, professor at Harvard Medical School. Unstructured play encourages independent thinking and allows the young to negotiate their relationships with their peers, but kids ages 3 to 12 spent only 12 hours a week engaged in it. The children sampled spent a quarter of their rapidly decreasing "free time" watching television. But that, believe it or not, was one of the findings parents might regard as good news. If they're spending less time in front of the TV set, however, kids aren't replacing it with reading. Despite efforts to get kids more interested in books, the children spent just over an hour a week reading. Let's face it, who's got the time?
  • Nowadays, the troublesome problem is that American kids

  • A. are increasingly neglected by their working mothers
    B. are involved less and less in household work
    C. are spending more and more time watching TV
    D. are engaged in lots of structured activities

  • [单选题]_______ advance seems to be following advance on almost a monthly basis.
  • A. So rapid is the rate of progress that
    B. Rapid as the rate of progress is that
    C. So rapid is the rate of progress as
    D. Rapid as the rate of progress as

  • [多选题]简述想象的功能。
  • A. (1)预见功能想象具有预见功能,它能预见活动的结果,指导活动进行的方向。同时,想象的新颖性、形象性也是人们创造活动中不可缺少的因素。(2)补充功能在现实生活中,有许多事物是人们不可能直接感知到的。在这种情况下,我们可以借助想象,弥补人类认识活动的时空局限和不足,超越个体狭隘的经验范围,扩大人的视野,对客观世界产生更充分、更全面、更深刻的认识。(3)替代功能在现实生活中,当人们的某种需要不能得到满足时,可以利用想象从心理上得到一定的补偿和慰藉。如边看电视边把自己想象成剧中人。(4)调节功能想象对有机体的生理活动过程具有调节作用,它能改变人体外周部分的机能活动过程。

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