下列选项中与"砚台--端砚"逻辑关系一致的是( )。

【名词&注释】

心理特征(psychological characteristics)、培养能力(ability training)、学习成绩(learning achievement)、逻辑关系(logical relation)、集中体现(centralized reflection)、积极主动(active and initiative)、社会学家(sociologist)、客观事物(objective things)、重要组成部分(important part)、审美观点(aesthetic standpoint)

[单选题]下列选项中与"砚台--端砚"逻辑关系一致的是( )。

A. 北京--故宫
B. 拉萨--西藏
C. 苹果--水果
D. 文具--钢笔

查看答案&解析 查看所有试题

学习资料：

[单选题]孔子是我国古代伟大的教育家，他的思想集中体现在他的弟子们编撰的言论记录集里面，该对话集是( )。

A. 《春秋》
B. 《尚书》
C. 《诗经》
D. 《论语》

[单选题]美育的基本任务不包括( )。

A. 培养学生正确的审美观点^{(aesthetic standpoint)}，使他们具有感受美、理解美以及鉴赏美的知识和能力
B. 培养学生艺术活动的技能，发展他们体现美和创造美的能力
C. 培养学生美好的心灵和行为，使他们在生活中体现内在美与外在美的统一
D. 培养和发展学生的智力才能，增强学生各方面能力

[单选题]我国中小学普遍实行的学科课程及相应的理论，是( )的表现。

A. 课程即知识
B. 课程即项目
C. 课程即活动
D. 课程即实践

[单选题]教学从本质上讲是一种特殊的认识活动。( )A.正确B.错误

A. A

[单选题]启发式教学是一种具体的教学方法。A.正确B.错误

A. B

[单选题]改变客观事物^{(objective things)}形象中的某一部分，突出其特点，从而产生新形象。这种想象的认知加工方式是( )。

A. 黏合
B. 夸张
C. 人格化
D. 典型化

[单选题]李老师对自己的教学能力十分自信，认为自己能教好学生。这主要反映了他的哪种心理特征?

A. 教学责任感
B. 教学幸福感
C. 教学理智感
D. 教学效能感

[单选题]请阅读 Passage 1,完成1~5小题。 　　Passage 1 　　In the field of psychology,there has long been a certain haziness surrounding the definition of creativity,an I-know-it-when-I-see-it attitude that has eluded a precise formulation.During our conversation,Mark Beeman,a cognitive neuroscientist at Northwestern University,told me that he used to be reluctant to tell people what his area of study was,for fear of being dismissed or misunderstood.What,for instance,crosses your mind when you think of creativity? Well,we know that someone is creative if he produces new things or has new ideas.And yet,as John Kounios,a psychologist at Drexel University who collaborates frequently with Beeman,points out,that view is wrong,or at least not entirely right."Creativity is the process,not the product," he says. 　　To illustrate,Beeman offers an example.Imagine someone who has never used or seen a paperclip and is struggling to keep a bunch ofpapers together.Then the person comes up with a new way of bending a stiff wire to hold the papers in place. "That was very creative," Beeman says.On the flip side,if someone works in a new field-Beeman gives the example of nanotechnology-anything that he produces may be considered inherently "creative".But was the act of producing it actually creative? As Beeman put it,"Not all artists are creative.And some accountants are very creative." 　　Insight,however,has proved less difficult to define and to study.Because it arrives at a specific moment in time,you can isolate it,examine it,and analyze its characteristics."Insight is only one part of creativity," Beeman says."But we can measure it.We have a temporal marker that something just happened in the brain.I'd never say that's all of creativity,but it's a central, identifiable component." When scientists examine insight in the lab.they are looking at what types of attention and thought processes lead to that moment of synthesis: If you are trying to facilitate 　　a breakthrough,are there methods you can use that help? If you feel stuck on a problem,are there tricks to get you through? 　　In a recent study,Beeman and Kounios followed people's gazes as they attempted to solve what's called the remote-associates test,in which the subject is given a series of words,like "pine" "crab" and "sauce" and has to think of a single word that can logically be paired with all of them.They wanted to see if the direction of a person's eyes and her rate ofblinking could shed light on her approach and on her likelihood of success.It turned out that if the subject looked directly at a word and focused on it-that is,blinked less frequently,signaling a higher degree of close attention-she was more likely to be thinking in an analytical,convergent fashion,going through possibilities that made sense and systematically discarding those that didn't.If she looked at "pine" say,she might.be thinking of words like "tree" "cone" and "needle" ,then testing each option to see if it fit with the other words.When the subject stopped looking at any specific worD.either by moving her eyes or by blinking,she was more likely to think of broader,more abstract associations.That is a more insight-oriented approach."You need to learn not just to stare but to look outside your focus," Beeman says.(The solution to this remote-associates test: "apple" .) 　　As it turns out,by simple following someone's eyes and measuring her blinks and fixation times,Beeman's group can predict how someone will likely solve a problem and when she is nearing that solution.That's an important consideration for would-be creative minds: it helps us understand how distinct patterns of attention may contribute to certain kinds ofinsights.

According to john Kounios,what does the underlined word "that" in PARAGRAPH TWO refer to?

A. Bending the stiff wire.
B. Holding papers in place,
C. The idea of making a paperclip.
D. The process of making a paperclip.

本文链接：https://www.51bdks.net/show/48krp0.html