四书五经是中国封建社会正统的教育内容，下列不属于四书的是(

【名词&注释】

准备工作(preparation work)、封建社会(feudal society)、客观原因(objective cause)、春秋时期(spring and autumn period)、科举考试(imperial examination)、教学进度(teaching progress)、散文集(prose collection)、治国平天下、华夏民族、重要著作(important works)

[单选题]四书五经是中国封建社会正统的教育内容，下列不属于四书的是( )。

A. 大学
B. 中庸
C. 论语
D. 春秋

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学习资料：

[多选题]教师在备课时应做好哪几方面的工作？（10分）

A. 备课就是上课前的准备工作，是教好课的前提。（1分）备课要做好三方面的工作：钻研教材、了解学生和设计教法。（5分）同时要写好三种计划包括学期（学年）教学进度计划、单元计划（课题计划）、课时计划（教案）。（4分）

[单选题] The Earth has been stripped of up to90% of its species five times before in the past 450 million years. Now it's about to happen again-and this time there's no rogue asteroid (小行星) to blame. One of the first great rules of terrestrial biology is that no species is forever. The Earth has gone through five major extinction events before. The result of all of the extinctions was the same: death, a lot of it. As increasingly accepted theories have argued-and as the Science papers show-we are now in the midst of the sixth great extinction, the unsettlingly-named Anthropocene(人类纪), or the age of the humans. As the authors of all this loss, we are doing our nasty work in a lot of ways. Overexploitation-which is to say killing animals for food, clothing or the sheer perverse pleasure of it-plays a big role. So we get elephants slaughtered for their tusks, thinos poached (偷猎) for their homs and tigers shot and skinned for their pelts, until oops-no more elephants, thinos or tigers. Habitat destruction is another big driver, particularly in rainforests. And you don't even have to chop or burn an ecosystem completely away to threaten its species; sometimes all it takes is cutting a few roads across it or building a few farms or homes in the wrong spots. Then too there is global warming, which makes once-hospitable habitats too hot or dry or stormy for species adapted to different conditions. Finally, as TIME's Bryan Walsh wrote in last week's cover story, there are invasive species-pests like the giant African snail, the lionfish-which hitch a ride into a new ecosystem on ships or packing material, or are brought in as pets, and then reproduce wildly, crowding out native species. It oughtn't to take appealing to our self-interest to get us to quit making such a mess of what we're increasingly coming to learn is an exceedingly destructible world. But it's that very self-interest that led us to make that mess in the first place. We can either start to change our ways, or we can keep going the way we are-at least until the Anthropocene extinction claims one final species: our own.

According to the Bryan Walsh's view, which statement is NOT correct?

A. The local species extinct because the ecosystem is too crowd.
B. The number of the invasive species increases easily.
C. The invasive species are from other places.
D. The invasive species killed the local animals, which causes the extinction.

[单选题]请阅读 Passage 2,完成1~5小题。 　　Passage 2 　　Taylor Swift,the seven-time Grammy winner,is known for her articulate lyrics,so there was nothing surprising about her writing a long column for The Wall Street Journal about the future of the music industry.Yet there's reason to doubt the optimism of what she had to say. 　　"This moment in music is so exciting because the creative avenues an artist can explore are limitless," Swift wrote."In this moment in musiC.stepping out of your comfort zone is rewardeD.and sonic evolution is not only accepted ...it is celebrated.The only real risk is being too afraid to take a risk at all." 　　That's hard to reconcile with Nielsen's mid-year U.S.music report,which showed a 15 percent year-on-year drop in album sales and a 13 percent decline in digital track sales.This could be the 2013 story all over again,in which streaming services cannibalize their growth from digital downloads,whose numbers dropped for the first time ever last year,except that even including streams,album sales are down 3.3 percent so far in 2014.Streaming has grown even more than it did last year,42 percent compared to 32 percent,but has failed to make up for a general loss of interest in music. 　　Consider this: in 2014 to date,Americans purchased 593.6 million digital tracks and heard 70.3 million video and audio streams for a sum total of 663.9 million.In the comparable period of 2013,the total came to 731.7 million. 　　Swift,one ofthe few artists able to pull off stadium tours,believes it's all about quality."People are still buying albums,but now they're buying just a few of them," she wrote."They are buying only the ones that hit them like an arrow through the heart." 　　In 2000,album sales peaked at 785 million.Last year,they were down to 415.3 million.Swift is right,but for many of the artists whose albums pierce hearts like arrows,it's too late.sales of vinyl albums have increased 40.4 percent so far this year,according to Nielsen,and the top-selling one was guitar hero Jack White's Lazaretto.The top 10 also includes records by the aging or deaD.such as the Beatles and Bob Marley & the Wailers.More modern entries are not exactly teen sensations,either: the Black Keys,Beck and the Arctic Monkeys.None of these artists is present on the digital sales charts,including or excluding streams.The top-selling album so far this year,by a huge margin,is the saccharine soundtrack to the Disney animated hit,"Frozen" . 　　When,like me,you're over 40 and you believe the music industry has been in decline since in 1993 (the year Nirvana released in Utero),it's easy to criticize the music taste of "the kids these days" ,a term even the 23-year old Swift uses.My fellow dinosaurs will understand if they compare 1993's top albums to Nielsen's 2014 list.But these kids don't just like to listen to different music than we do,they no longer find much worth hearing. 　　The way the music industry works now may have something to do with that.In the old 　　days,musicians showed their work to industry executives,the way most book authors still do to publishers (although that tradition,too,is eroding).The executives made mistakes and were credited with brilliant finds.Sometimes they followed the public taste,and sometimes they strove to shape it,taking big financial and career risks in the process.These days,according to Swift,it's all about the social networks."A friend of mine,who is an actress,told me that when the casting for her recent movie came down to two actresses,the casting director chose the actress with more Twitter followers," Swift wrote."In the future,artists will get record deals because they have fans-not the other way around." 　　The social networks are fickle and self-consciously sarcastic (see the recent potato salad phenomenon).They are not about arrow-through-the-heart sincerity.That's why YouTube made Psy a star,but it couldn't have been the medium for Beatle maniA.Justin Timberlake has 32.9 million Twitter followers,but he's no Jack White. 　　In the music industry's heyday,it produced a lot of schlock.But it got great music out to the masses,too.These days,it expects artists to do their own promotion and for those who less good at that than at making musiC.it may mean not getting heard.For fans it means less good music to stream and downloaD.Well,there's always the warm and fuzzy world of vinyl nostalgiA.I guess.

What does the underlined word "that" in PAraGraPH EIGHT refer to?

A. Kid's music taste.
B. 1993's top album.
C. Nielsen's 2014 list.
D. The music industry.

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