我国科举考试中有"连中三元"之说，其中"三元"指的是( )。

【名词&注释】

有的放矢、严格要求(strict demands)、扬长避短、法定节假日、相关规定(relevant regulations)、因材施教原则、积极探索(actively explore)、《中小学教师职业道德规范》、充分调动(fully mobilize)、突飞猛进(elan)

[单选题]我国科举考试中有"连中三元"之说，其中"三元"指的是( )。

A. 秀才、举人、进士
B. 状元、榜眼、探花
C. 解元、会元、状元
D. 乡试、会试、殿试

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学习资料：

[单选题]小刚数学成绩不佳。经过努力，他的数学成绩突飞猛进^(elan)，考了很高的分数。数学老师认为她的成绩是抄袭所得，并在课堂上公开讲："你的成绩不属实。"这位老师的行为()。

A. 违背了尊重学生的要求
B. 违背了依法执教的要求
C. 有益于对学生进行因材施教
D. 有益于客观公正的评价学生

[单选题]下列是某市教委关于"禁止违规补课"的相关规定，其中不合理的是( )。

A. 在双休日、国家法定节假日及寒暑假，学校义务教育阶段不得组织学生集体补课
B. 开设重点班与非重点班，利用周六日组织重点班学生进行补课
C. 严禁中小学校在岗教师组织本校学生开展有偿补课活动
D. 校园内应禁止其他部门、单位和个人面向中小学生办班收费补课

[单选题]"大有大成，小有小成"是( )教学原则具体运用的结果。

A. 自觉积极性
B. 启发性
C. 巩固性
D. 因材施教

[单选题]《学记》中提出"杂施而不孙，则坏乱而不修"的主张的教学原则是( )。

A. 因材施教原则
B. 循序渐进原则
C. 巩固性原则
D. 启发性原则

[单选题]最早提出经典性条件作用的人是( )。

A. 桑代克
B. 斯金纳
C. 巴甫洛夫
D. 苛勒

[单选题]如果学生已经有了哺乳动物的概念，然后再学习鲸这种动物，这种学习属于( )。

A. 概念学习
B. 上位学习
C. 下位学习
D. 并列结合学习

[单选题]《世界记忆遗产名录》是经联合国教科文组织世界记忆工程国际咨询委员会确认的文献遗产项目。下列选项中，关于《世界记忆遗产名录》的表述正确的是（ ）。

A. 收录具有世界意义的文献遗产
B. 包含文物、建筑群、遗址三类
C. 首批世界记忆遗产包含中国昆曲
D. 由联合国大会评估、审查、公布

[单选题]请阅读 Passage 2,完成1~5小题。 　　Passage 2 　　Taylor Swift,the seven-time Grammy winner,is known for her articulate lyrics,so there was nothing surprising about her writing a long column for The Wall Street Journal about the future of the music industry.Yet there's reason to doubt the optimism of what she had to say. 　　"This moment in music is so exciting because the creative avenues an artist can explore are limitless," Swift wrote."In this moment in musiC.stepping out of your comfort zone is rewardeD.and sonic evolution is not only accepted ...it is celebrated.The only real risk is being too afraid to take a risk at all." 　　That's hard to reconcile with Nielsen's mid-year U.S.music report,which showed a 15 percent year-on-year drop in album sales and a 13 percent decline in digital track sales.This could be the 2013 story all over again,in which streaming services cannibalize their growth from digital downloads,whose numbers dropped for the first time ever last year,except that even including streams,album sales are down 3.3 percent so far in 2014.Streaming has grown even more than it did last year,42 percent compared to 32 percent,but has failed to make up for a general loss of interest in music. 　　Consider this: in 2014 to date,Americans purchased 593.6 million digital tracks and heard 70.3 million video and audio streams for a sum total of 663.9 million.In the comparable period of 2013,the total came to 731.7 million. 　　Swift,one ofthe few artists able to pull off stadium tours,believes it's all about quality."People are still buying albums,but now they're buying just a few of them," she wrote."They are buying only the ones that hit them like an arrow through the heart." 　　In 2000,album sales peaked at 785 million.Last year,they were down to 415.3 million.Swift is right,but for many of the artists whose albums pierce hearts like arrows,it's too late.sales of vinyl albums have increased 40.4 percent so far this year,according to Nielsen,and the top-selling one was guitar hero Jack White's Lazaretto.The top 10 also includes records by the aging or deaD.such as the Beatles and Bob Marley & the Wailers.More modern entries are not exactly teen sensations,either: the Black Keys,Beck and the Arctic Monkeys.None of these artists is present on the digital sales charts,including or excluding streams.The top-selling album so far this year,by a huge margin,is the saccharine soundtrack to the Disney animated hit,"Frozen" . 　　When,like me,you're over 40 and you believe the music industry has been in decline since in 1993 (the year Nirvana released in Utero),it's easy to criticize the music taste of "the kids these days" ,a term even the 23-year old Swift uses.My fellow dinosaurs will understand if they compare 1993's top albums to Nielsen's 2014 list.But these kids don't just like to listen to different music than we do,they no longer find much worth hearing. 　　The way the music industry works now may have something to do with that.In the old 　　days,musicians showed their work to industry executives,the way most book authors still do to publishers (although that tradition,too,is eroding).The executives made mistakes and were credited with brilliant finds.Sometimes they followed the public taste,and sometimes they strove to shape it,taking big financial and career risks in the process.These days,according to Swift,it's all about the social networks."A friend of mine,who is an actress,told me that when the casting for her recent movie came down to two actresses,the casting director chose the actress with more Twitter followers," Swift wrote."In the future,artists will get record deals because they have fans-not the other way around." 　　The social networks are fickle and self-consciously sarcastic (see the recent potato salad phenomenon).They are not about arrow-through-the-heart sincerity.That's why YouTube made Psy a star,but it couldn't have been the medium for Beatle maniA.Justin Timberlake has 32.9 million Twitter followers,but he's no Jack White. 　　In the music industry's heyday,it produced a lot of schlock.But it got great music out to the masses,too.These days,it expects artists to do their own promotion and for those who less good at that than at making musiC.it may mean not getting heard.For fans it means less good music to stream and downloaD.Well,there's always the warm and fuzzy world of vinyl nostalgiA.I guess.

How does the writer perceive Swift's attitude towards the future of the music industry?

A. She is no doubt over-optimistic about it.
B. She is too young to make a reliable judgment.
C. She is professional enough to predicate it wisely.
D. She doesn't follow what others have said about it.

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